
Author: JJ
#639: “Nothing is so sad as the devastation wrought by age” – Going Out in Style(s) with Curtain (1975) by Agatha Christie

Given the inevitable decline in Agatha Christie’s powers as her career drew to a close, there’s a moderate irony in that fact that she had come off probably the most successful decade in the history of detective fiction writing when she opted to portray Hercule Poirot at his apparent worst.
Continue reading
#638: Death Out of Nowhere (1945) by Alexis Gensoul & Charles Grenier [trans. John Pugmire 2019]






Seventeen. John Pugmire has now, through Locked Room International, published 17 previously-non-Anglophone books from the Roland Lacourbe-curated Locked Room Library list, all but one being his own translations. This brings LRI’s roster up to 38 books, a frankly incredible achievement (and hopefully a long way from finished yet), comprising among others Paul Halter, a shin honkaku renaissance, and a reprint of Locked Room Murders by Robert Adey and a completely new follow-up. And still the great titles keep on coming, including this unheralded little gem from Alexis Gensoul and Charles Grenier — one of three books Gensoul wrote in 1945.
Continue reading
#637: Adventures in Self-Publishing – A Eulogy for Reason (2019) by DWaM

With a lot of Agatha Christie fans — Puzzle Doctor included — throwing their hands up at yet another televisation taking excessive liberties with the source material, I’d like to make you all feel better with the following words: I am a Philip K. Dick fan.
Continue reading
#636: Justice It Was That Moved My Great Creator – It’s About Crime [ss] (1960) by MacKinlay Kantor

Marketing has a lot to answer for. In much the same way that Herbert Brean a couple of weeks ago found himself the centre of a tussle between competing crime fiction ideologies, and endless crime fiction authors these days end up with “as gripping as Agatha Christie” in their synopses, it’s fashion that determines how to lie to you when selling something.
Continue reading
#635: A Taste for Honey (1941) by H.F. Heard






It’s difficult to know where to begin with A Taste for Honey (1941), the first of three ‘Mr. Mycroft’ novels by H.F. Heard. The core conceit is delightfully barmy — I shall avoid naming it in this review to preserve it for the curious — and played with an impressively straight face, but beyond that there’s really only a short story’s worth of content here, spread thinly over 189 generously-margined pages. With only one plot-line, only really three characters, and nothing to widen the universe or engage the mind in any meaningful way past the halfway point (when the ending will already be painfully obvious to anyone), this really is just a latter-day Holmes pastiche with verbal diarrhoea.
Continue reading
#634: This Post No Longer Exists
#633: Spoiler Warning – Coming in April: The Eye of Osiris, a.k.a. The Vanishing Man (1911) by R. Austin Freeman

This post serves a double purpose: firstly to reassure you that the promised spoiler-heavy discussion about The Box Office Murders, a.k.a. The Purple Sickle Murders (1929) by Freeman Wills Crofts is on the way, and secondly to let you know about the next spoiler-heavy review coming in April.
Continue reading
#632: The Honjin Murders (1946) by Seishi Yokomizo [trans. Louise Heal Kawai 2019]






After years of occasional titles like The Tattoo Murder Case (1948) by Akimitsu Takagi trickling through the East-West translation gap, it seems English-speaking audiences might be getting more classic Eastern honkaku. The shin honkaku translations brought to us by Locked Room International have highlighted the ingenuity in works coming out of Japan, China, and surrounds during the 1980s and 1990s, an era when the Western crime novel was rather more focussed on character and procedure, and so the puzzle-rich seam of GAD-era honkaku titles might finally get more attention. And the first non-LRI novel to come across is one that was greeted with much excitement.
Continue reading
#631: Adventures in Self-Publishing – Murder Brewed at Home (2015) by Belle Knudson
