Slightly later than promised — or not, depending on your time zone — here’s the long-anticipated spoiler-heavy discussion betwixt Brad, Moira, and myself about Agatha Christie’s bridge-centric mystery Cards on the Table (1936). And, just for added drama, one of us thinks this book doesn’t quite deserve its reputation as a classic…Continue reading
A quick recap for the unfamiliar: every three months, Moira, Brad, and I read an Agatha Christie book, discuss it in full spoiler-rich detail, and post a recording of that discussion here. I tell you in advance which book it is going to be, and you are invited to read along at home and then listen in to agree or disagree with our feelings.Continue reading
To further reinforce the message of staying in and making your own fun this Winter, let’s return to the parlour game-esque antics of The Baffle Book (1930) and see what mental gymnastics the third quarter has in store for us.Continue reading
No, Christmas isn’t for another two months, but it’s been a tough year and so here’s a gift to get you through the darkening days (yes, thank-you, the Southern Hemisphere…): Brad and Moira discussing The Murder at the Vicarage (1930) by Agatha Christie. And I’m there, too, of course. You can’t win ’em all.Continue reading
A podcast episode a couple of months short of 100 years in the making, we are here today to discuss The Mysterious Affair at Styles (1920) by Agatha Christie.
Every post could be someone’s first post, so just in case you’re new here: this post today is rich in spoiler-heavy details about the novel The Eye of Osiris, a.k.a. The Vanishing Man (1911) by R. Austin Freeman. Read on only if you don’t mind having plot details discussed. Do not assume I’m going to be vague and mindful of avoiding spoilers.
As in life, this blog has a few untrimmed threads hanging — one of these days I really must return to The Knox Decalogue and The Criminous Alphabet — but for today it’s back to The Baffle Book (1930). The first seven problems in F. Tennyson Jesse’s edit of Lassiter Wren and Randle McKay’s famous puzzle series failed to excite my reason or my enthusiasm, so how does this second quarter of puzzles stand up?