Here we go again, with the usual warnings: this post discusses in spoiler-heavy detail elements of the plot of Mr. Priestley’s Problem, a.k.a. The Amateur Crime (1927) by Anthony Berkeley, also published under the name of A.B. Cox.
Had I gotten round to this sooner, it may have qualified as a Modern Locked Room Mystery for TomCat attempt, but TomCat has already read this one and so really all that remained was to see if I was equally underwhelmed by it.
Dearly beloved, we are gathered here today to pay our respects to the detective fiction novel Halfway House (1936) written by Manfred Lee and Frederic Dannay under their Ellery Queen nom de plume. As the title suggests, there will be spoilers — lots and lots of spoilers, so only proceed if you’ve done the necessary pre-reading…
As discussed previously, we are here today to find out how good I am at spotting clues and things in the detective novel London Particular, a.k.a. Fog of Doubt (1952) by Christianna Brand. We’ll be doing this by examining my thoughts on a chapter-by-chapter basis and there will be spoilers. Do not read futher if you wish to remain unspoiled.
I’ll he honest, I’m not really sure what this post is about. See, I’ve been mulling the appeal of the impossible crime novel for, well, years now, and having previously looked at what makes something an impossible crime the thing I’ve been mulling lately why the concept of an impossible crime is so appealing. This, then, is the end result of those lucubrations, unfocused as they are despite being pinned on a very small area of interest.