I’ll warn you now: even for me, this is niche. Following a reorganisation of books at Invisible Event Towers I stumbled across my copy Harlan Coben’s Tell No One (2001), which I read while at university, and got thinking about it in light of my more recent adoption of GAD an impossible crimes. And the above question struck me, but discussing it will require you, dear reader, to have done some rather specific reading…
Okay, here we go — do not read any further unless you are happy to be spoiled on the details of John Dickson Carr’s 1939 novel featuring the impossible “no footprints” problem of a man strangled in the middle of a clay tennis court.
In light of my recent favourable experience with Ellery Queen’s The Chinese Orange Mystery (1934), my thoughts turn to the benefits and pitfalls of reading GAD authors’ novels in chronological order. The old joke is that they had to write them in that order, but is there any real benefit or detriment in reading them so arrayed?
You may (but then you you may not) be aware that I’ve started a thing here on The Invisible Event where every three months I pick a work of classic detective fiction and discuss it with another GAD blogger, being entirely unmindful of spoilers so as to really get into the details involved. Well, another is on the way — which book do you think it could possibly be?
I am immensely chuffed to be able to bring to you today the results of the spoiler-heavy discussion between myself and the erudite and phenomenally knowledgeable Noah Stewart of Noah’s Archives on the topic of Rex Stout’s thirteenth Nero Wolfe novel, And Be a Villain (1948). Hefty spoilers follow, so read on only if you are a) prepared or b) a daredevil badass who takes no truck with your “rules”, man.
I don’t watch much TV. I’m not going to be pompous about it, I just don’t. Recently, however, I came into possession of the complete run — seven seasons, approximately 800 DVDs — of the US show The Mentalist and was intrigued enough to give it a look. If this is new territory to you, it stars Simons Baker as Patrick Jane, an ex-psychic who following a personal tragedy now helps the seemingly-autonomous California Bureau of Investigation with his keen insight into the crimes they are called to solve.