#460: Dead Men Don’t Ski (1959) by Patricia Moyes

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It’s fitting that Noah’s review of Dead Men Don’t Ski (1959), is what first brought the book to my attention, because the novel exemplifies for me a strata of fiction that I only got thinking about on account of Noah’s own, far superior, ruminations on the subject.  Much like Murder on Safari (1938) by Elspeth Huxley, contemporary familiarity with the milieu would probably see this classified as ‘cozy’ these days — but to do so would be to ignorantly overlook the newness of this sort of setting at the time of writing.  I’m tempted to call these Travelogue Mysteries, where the setting appeals as much as the crime on account of how novel it would have been at the time.

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#458: The Sleek Interpreters – Bringing the Young Holmes Brothers to Life in Mycroft and Sherlock (2018) by Kareem Abdul-Jabbar and Anna Waterhouse

Mycroft and Sherlock
Three years ago, when The Invisible Event was but a callow youth, I happened upon a Sherlock Holmes-universe novel co-written by someone who shared their name with NBA Hall-of-Famer Kareem Abdul-Jabbar.  “Wow,” I thought, “that guy must hear the same thing all the time…” — and then it turned out that it actually was NBA Hall-of-Famer Kareem Abdul-Jabbar, and, well, I became even more interested.

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#434: Locked Room International is 30 – My Favourite 15 Books

LRI Thirty

Some months ago, in our podcast The Men Who Explain Miracles, first myself and then Dan chose our fifteen favourite locked room novels of all time.  In celebration of Locked Room International recently putting out their thirtieth fiction title, I have done essentially the same again, this time choosing solely from their catalogue: effectively, my personal picks for the ‘top half’ of their output to date.

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#430: Minor Felonies – Arsenic for Tea, a.k.a. Poison is Not Polite (2015) by Robin Stevens

Arsenic for Tea

Most people who write and publish one novel go on to complete a second, yet the second is often the one deemed ‘difficult’.  I suppose it’s the not knowing whether a universe and characters previously deployed will stretch over another 100,000 words, or whether a writer used up all their good ideas on Book 1 and so Book 2 is likely to fall on drier ground.

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