After the very enjoyable work done by Herb Lester and Caroline Crampton in mapping the key locations of Agatha Christie’s English mysteries, it was surely only a matter of time before a similar project was attempted. And This Deadly Isle, which maps the locations of a raft of Golden Age mysteries across the country, is the delightful inevitable follow-up.
Continue reading
To me falls the honour of rounding off the blog tour for The Life of Crime (2022) by Martin Edwards, adding to the deserved praise it has already garnered elsewhere. This “personal journey through the genre’s past, with all the limitations and idiosyncrasies that implies” is a monumental achievement, encompassing the breadth and depth of a genre that is now a good couple of centuries old, and finding many nuggets to share about it along the way. And, since any study of a genre must inherently be about that genre to some extent, Edwards’ trump card here is to tell a story of crime writing that also sheds light on the need for such stories to exist in the first place.
Brad is working his way through full season summary breakdowns of the recent US TV Sherlock Holmes update Elementary (2012-19) and, since he and I have been watching it at about the same time — thanks to urging from a mutual friend — I thought I’d belatedly jump on that bandwagon share my own thoughts in more compact form.
When I took a bit of a blogging break at the end of 2021, I finally found time to watch some TV and caught up with the first two seasons of Castle, the US mystery show starring Nathan Fillion as hyper-successful crime writer Richard Castle and Stana Katic as Kate Beckett, the NYPD detective he ends up shadowing for ‘research’ (which swiftly develops into a ‘will they/won’t they’ thing — spoilers: they definitely will, probably in season 5).
Continue reading
If you’ve met me, firstly I apologise, and secondly it’ll come as no surprise that I have a tendency to ruminate on that which many others pass over without so much as a backward glance. Previously this resulted in me writing something in the region of 25,000 words on the Knox Decalogue, and today I’m going to turn my eye upon the Haycraft-Queen Cornerstones list. Prepare thyself…
Continue reading
On page 110 of 355 of Elizabeth C. Bunce’s Premeditated Myrtle (2020) we learn that 12 year-old Myrtle Hardcastle starts reading novels in the middle because “beginnings were often boring”. Thankfully the unproved murder on which the entire book to that point has hung is finally suspected a few pages later and the book comes to life at last, but there’s an uncomfortably meta air to the criticism at the time.
Continue reading
“Can you call it homicide if the victim is a hippo?” asks the back cover of this first entry in Stuart Gibbs’ Funjungle series and, from a purely Latin perspective, no you can’t. However, the brilliance of Gibbs’ endeavour here is how much he adheres to the fundamental form of the murder mystery despite this core difference.
Continue reading
The only frustration I feel towards the Adventures on Trains series by M.G. Leonard and Sam Sedgman is that I didn’t discover it sooner. Because, see, then I’d be four books deep into this wonderful, charming, clever series — with a fifth on the way soon — rather than the mere two I am.
Continue reading
The end of the Knox Decalogue is in sight! This week it’s Watsons, next week it’s Twins, and then — oh no! — there’s a final Tuesday in the month that I have to fill with something. A flashy dance routine, perhaps?
Continue reading
The Invisible Event 