Between 2016 and 2020, Robert Innes published 10 impossible crime novellas and one novel and then just…disappeared. And his sudden — thought not seemingly impossible — vanishment from the scene made me overlook his final published work, Dollhouse (2020), which I intend to correct today.
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#705: Adventures in Self-Publishing – Harte (2019) by Robert Innes

In 2019 the Marvel Cinematic Universe reached its culmination in Avengers: Endgame, somewhat overshadowing the fact that Rob Innes’ 10-book Blake Harte series was also about to pay off in this, the first novel-length entry.
Continue reading#675: Adventures in Self-Publishing – Atmosphere (2018) by Robert Innes

As we approach the (current?) end of Rob Innes’ Blake Harte series of impossible crime stories, I have to confess that one of its major successes has been getting me, a man who will take a finely-crafted plot over minutely-observed character, engaged in the lives of his core cast.
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#616: Adventures in Self-Publishing – Touch (2018) by Robert Innes

My exploration of self-published impossible crime fiction, which would itself have been impossible prior to the growth of the ebook market, continues apace — there are at present 21 books in my AiSP TBR alone. So let’s get on with it…
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#571: Adventures in Self-Publishing – Skeletons (2018) by Robert Innes

Welcome to Harmschapel, where people are shot while alone in locked rooms, murderers walk on water, men drown while trapped in a lift, and now it seems people return from the dead. Also, there’s Scrabble at the pub on a Thursday evening.
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#543: Adventures in Self-Publishing – Flatline (2018) by Robert Innes

Prior to reading Robert Innes’ work I honestly did believe that there was quality content out there in this non-trad route (and I was right) but after more than a few low quality samples of this stream — a fair portion of which I opted not to write about on this blog, since it seemed self-defeating to my intended aim — I remained less optimistic about finding it.
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#486: Adventures in Self-Publishing – Spotlight (2017) by Robert Innes




