#551: The White Cockatoo (1934) by M.G. Eberhart

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Sometimes quality and taste do not overlap.  For instance, I have every reason to believe that The White Cockatoo (1934) by Mignon G. Eberhart is a very good book, but given that it veers far more heavily into the suspense/HIBK/EIRF schools of writing rather than anything qualifing as detection it’s not especially to my taste.  It’s well- (if perhaps a little over-) written, has some good atmosphere, and introduces in the eponymous bird Pucci an unusual twist that enlivens the eventual resolution…but amidst all the mysterious happenings — sinister hotelier, sinister guests, sinister wind, sinister banging shutters, sinister everything — it’s just a bit too bland for my palate.

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#549: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #11: Now You See Me (2019) by Chris McGeorge

Now You See Me

The English language is a funny thing.  Take for instance Chris McGeorge’s debut novel Guess Who (2018) which, revolving as it did around a group of people solving a mystery while locked in a room, was marketed as a ‘locked room mystery’ when that is a phrase which has already had another meaning for well over a century.

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#548: The Seventh Guest (1935) by Gaston Boca [trans. John Pugmire 2018]

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The recent, very exciting publication of the brand new Paul Halter novel The Gold Watch (2019, tr. 2019) served to remind me that I still hadn’t read Locked Room International’s previous publication, a translation of Les Invités de Minuit (1935) by Gaston Boca.  This is by my reckoning the sixteenth title from the Roland Lacourbe-curated list of 99 excellent impossible crime stories that John Pugmire has brought into English, and his tireless promotion of these books across the language barrier is a continued source of joy for those of us who lament the dearth of great impossible crime fiction being written these days.  Pugmire always has something up his sleeve.

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