The English language is a funny thing. Take for instance Chris McGeorge’s debut novel Guess Who (2018) which, revolving as it did around a group of people solving a mystery while locked in a room, was marketed as a ‘locked room mystery’ when that is a phrase which has already had another meaning for well over a century.
The recent, very exciting publication of the brand new Paul Halter novel The Gold Watch (2019, tr. 2019) served to remind me that I still hadn’t read Locked Room International’s previous publication, a translation of Les Invités de Minuit (1935) by Gaston Boca. This is by my reckoning the sixteenth title from the Roland Lacourbe-curated list of 99 excellent impossible crime stories that John Pugmire has brought into English, and his tireless promotion of these books across the language barrier is a continued source of joy for those of us who lament the dearth of great impossible crime fiction being written these days. Pugmire always has something up his sleeve.
In my experience, self-published impossible crime fiction doesn’t produce much in the way of short story collections. Sure, Raymond Knight Read has put out a few, but I’m in no rush to jump back on that horse again…
Dorothy Leigh Sayers is undoubtedly one of the most influential and enduring writers to emerge from the Golden Age of Detective Fiction — as a founding member of the Detection Club and the creator of one of last century’s best known amateur sleuths she was in at the blood of the formulation of GAD and has remained hugely popular ever since.