Some months ago, in our podcast The Men Who Explain Miracles, first myself and then Dan chose our fifteen favourite locked room novels of all time. In celebration of Locked Room International recently putting out their thirtieth fiction title, I have done essentially the same again, this time choosing solely from their catalogue: effectively, my personal picks for the ‘top half’ of their output to date.
Arthur Porges is an author who seems to’ve faded somewhat from memory despite (or maybe ‘on account of’) writing in a spread of genres. To myself, he’s of most interest as the creator of fiendishly ingenious impossible crime stories, and it was with much delight that I learned of Richard Simms’ on-going project to get all Porges’ short fiction reprinted…and with much impatience that I awaited the Joel Hoffman stories, having first encountered Porges through ‘No Killer Has Wings’ in a Mike Ashley-edited collection…and with much consternation that I admit it’s taken me far too long to get round to this collection since its publication in 2017.
Last Saturday was — as Kate, Puzzle Doctor, Moira, and Martin Edwards have already reported — the Bodies from the Library Conference 2018 at the British Library, and a superb day it was indeed.
Okay, the first one of these I took on wasn’t an impossible crime, and the second wasn’t any good. So, a new collection, shorter stories — hence two this week — how did we get on?
After the disappointment of last week’s ‘The Adventure of the Dead Cat’ (1946) not actually being an impossible crime story, I return this week to Calendar of Crime (1952) by Ellery Queen for the final story in the collection, Christmastime impossible theft ‘The Adventure of the Dauphin’s Doll’ (1948). Let’s hope we fare a little better this time around, eh?
