In the back of my mind when I started The Invisible Event was the idea that exactly half of what I’d post about would feature impossible crimes, locked room mysteries, and/or miracle problems — and although this proportion started an irreversible slide after the first 500 or so posts, the impossible crime remains my first love.Continue reading
Gutsy of me to suggest, on my site dedicated to the discussion of Golden Age detective fiction, that a lot of the terminology used to talk about these stories is incorrect, eh? Well, thankfully I’m not the one trying to convince you; that job falls to Mr. Scott K. Ratner.Continue reading
We tend to take it for granted that authors like John Dickson Carr and John Rhode created noms de plume effectively to enable them to produce double the amount of their usual fiction. Central character names aside, Rhode’s works don’t really differ from ‘Miles Burton’s nor Carr’s from that of ‘Carter Dickson’. You’d think they’d want a day off every now and then (and their critics might suggest they could have used one). One would expect a new identity to be quite freeing — see Agatha Christie occasionally escaping into the social concerns of ‘Mary Westmacott’, or Anthony Berkeley rearranging his palette as ‘Francis Iles’ — a chance to experiment in private, as it were.
Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.