For a blog set up with the implicit aim to explore the impossible crime in fiction, it has to be said that impossibilities have been rather thin on the ground at The Invisible Event of late. Here, then, is a podcast episode committed to the impossible crime (or one-tenth of it, at least) with author Tom Mead.Continue reading
Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss modern detective fiction, few are better-placed than Puzzle Doctor, a.k.a. Steve from In Search of the Classic Mystery Novel.Continue reading
It’s long been a tenet of mine that detective fiction and comedy have a great deal in common, and to pursue that this week via the medium of podcasting I’ve enlisted the help of comedian Alasdair Beckett-King.
A triptych of needs are being met here: firstly a last-minute replacement for the Modern Locked Room Mystery for TomCat I’d intended to write about, secondly the addressing of a Paul Halter book not yet reviewed on this blog, and thirdly some tangential research for next Saturday’s In GAD We Trust episode.
Aaah, Christmas; time to drop into the comforting arms of the ones we know and love. I tried to mix things up a bit this year, starting two Christmas mysteries to review this week…but neither really worked for me, and so I’m following my own advice and adding another pre-blogging Paul Halter title to my archives. I distinctly remembered The Seventh Hypothesis (1991, tr. 2012) to be a doozy, with less of a focus on the impossibilities — though we get two in quick succession — and more attention drawn to a complex switchback of mellifluous plotting…so how’d it stand up to a second look? Rather well, as it turns out.
Similar to how Alfred Hitchcock’s two version of The Man Who Knew Too Much (1934/1956) use the same core ideas but differ in details, the motifs Paul Halter returns to in The Gold Watch (2019, tr. 2019) — the dual time period narratives of The Picture from the Past (1995, tr. 2014), a baffling no footprints murder at an isolated house a la The Lord of Misrule (1994, tr. 2006), the invocation of The King in Yellow from ‘The Yellow Book’ (2017, tr. 2017) — there’s no doubt this is a very different style of story simply using familiar ideas to very new ends. Strange to say this of a Frenchman, but this is perhaps the outright Frenchest work of his yet translated.
Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.