Self-Publishing
#568: Adventures in Self-Publishing – An Invitation to Murder (2019) by A.G. Barnett
Confidence and competence are, I think, the two qualities I’d like an author to exhibit if they’re going to ask for money for their work. The confidence to know they’ve written something well, and the competence to be at least moderately schooled in things like continuity, how to use the language they’re writing in, and how to place and build ideas around their core structure.
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#565: Adventures in Self-Publishing – The Castle Mystery (2019) by Faith Martin [a.p.a. An Invisible Murder (2012) by Joyce Cato]
Another week, another debate brewing over precisely how “self-published” a book is when it’s been put out under the auspices of Joffe Books, who at least appear to be a bit more of a traditional setup than has featured in these AiSP before.
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#562: Adventures in Self-Publishing – The Leviathan’s Resting Place (2019) by DWaM
Otto Reylands, multi-millionaire, has been receiving threatening letters, as is the wont of multi-millionaires in fiction (and perhaps reality, I have no experience at either end). Letters accusing him of chicanery and deception. Letters accompanied by photos of a dead woman…
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#543: Adventures in Self-Publishing – Flatline (2018) by Robert Innes
Prior to reading Robert Innes’ work I honestly did believe that there was quality content out there in this non-trad route (and I was right) but after more than a few low quality samples of this stream — a fair portion of which I opted not to write about on this blog, since it seemed self-defeating to my intended aim — I remained less optimistic about finding it.
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#540: Adventures in Self-Publishing – The Boy Who Played Rama [ss] (2017) by Sharath Komarraju
In my experience, self-published impossible crime fiction doesn’t produce much in the way of short story collections. Sure, Raymond Knight Read has put out a few, but I’m in no rush to jump back on that horse again…
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#537: Adventures in Self-Publishing – The Murder at Redmire Hall (2018) by J.R. Ellis
