Twenty months ago I set out to examine each of the ten rules in Ronald Knox’s detective fiction decalogue in laborious detail; this month, that project will finally be completed. Then I can finally return to The Criminous Alphabet, eh?Continue reading
For a blog set up with the implicit aim to explore the impossible crime in fiction, it has to be said that impossibilities have been rather thin on the ground at The Invisible Event of late. Here, then, is a podcast episode committed to the impossible crime (or one-tenth of it, at least) with author Tom Mead.Continue reading
Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss modern detective fiction, few are better-placed than Puzzle Doctor, a.k.a. Steve from In Search of the Classic Mystery Novel.Continue reading
Nearly five years ago, in the innocent, heady days of December 2015, I read two self-published impossible crime novellas by Matt Ingwalson and was motivated into what has become my Adventures in Self-Publishing.Continue reading
You’re doubtless aware of the superbly wide-ranging Golden Age-focussed Shedunnit podcast run by Caroline Crampton, and I was delighted to be asked to contribute to an episode about locked room mysteries and impossible crimes. The results are now online for your listening pleasure.
I started 2019 on The Invisible Event by sharing the wonderful news that Goodnight Irene (2018) by James Scott Byrnside was a modern impossible crime novel we had legitimate reason to get excited about. And, excitingly, the end of that book promised a follow-up — titled Nemesis at the time — in 2019. And, one title-change later, no doubt on account of some has-been getting there first, here we are.
Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.