#638: Death Out of Nowhere (1945) by Alexis Gensoul & Charles Grenier [trans. John Pugmire 2019]

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Seventeen. John Pugmire has now, through Locked Room International, published 17 previously-non-Anglophone books from the Roland Lacourbe-curated Locked Room Library list, all but one being his own translations.  This brings LRI’s roster up to 38 books, a frankly incredible achievement (and hopefully a long way from finished yet), comprising among others Paul Halter, a shin honkaku renaissance, and a reprint of Locked Room Murders by Robert Adey and a completely new follow-up.  And still the great titles keep on coming, including this unheralded little gem from Alexis Gensoul and Charles Grenier — one of three books Gensoul wrote in 1945.

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#611: The Seventh Hypothesis (1991) by Paul Halter [trans. John Pugmire 2012]

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Aaah, Christmas; time to drop into the comforting arms of the ones we know and love.  I tried to mix things up a bit this year, starting two Christmas mysteries to review this week…but neither really worked for me, and so I’m following my own advice and adding another pre-blogging Paul Halter title to my archives.  I distinctly remembered The Seventh Hypothesis (1991, tr. 2012) to be a doozy, with less of a focus on the impossibilities — though we get two in quick succession — and more attention drawn to a complex switchback of mellifluous plotting…so how’d it stand up to a second look?  Rather well, as it turns out.

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#575: The Gold Watch (2019) by Paul Halter [trans. John Pugmire 2019]

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Similar to how Alfred Hitchcock’s two version of The Man Who Knew Too Much (1934/1956) use the same core ideas but differ in details, the motifs Paul Halter returns to in The Gold Watch (2019, tr. 2019) — the dual time period narratives of The Picture from the Past (1995, tr. 2014), a baffling no footprints murder at an isolated house a la The Lord of Misrule (1994, tr. 2006), the invocation of The King in Yellow from ‘The Yellow Book’ (2017, tr. 2017) — there’s no doubt this is a very different style of story simply using familiar ideas to very new ends.  Strange to say this of a Frenchman, but this is perhaps the outright Frenchest work of his yet translated.

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