A seam of superb Japanese detective novels and short stories have crossed the language barrier in recent years, teaching even the most culturally ignorant of us to tell our honkaku from our shin honkaku. And here to give us a sense of the work involved in making that happen is literary translator Louise Heal Kawai.
Today was due to have been the sixth (sixth!) Bodies from the Library conference at the British Library but, for obvious reasons, it’s not. I can’t, alas, give you a whole day of GAD-based discussion, but I can at least fill an hour with someone from that line-up of exceptionally knowledgable people, Tony Medawar.
Lockdown rolls on, and so does my GAD-focussed podcast, which this time around sees me picking the brains of John Norris who blogs at Pretty Sinister Books and is surely one of the most widely-read members of our GAD coterie.
The reprinting of Robert Adey’s Locked Room Murders (2nd ed., 1991) at the end of 2018 was a delightful turn-up for those of us who had been dreaming of owning that reference bible. And once the excitement settled, I’m sure more than a few people started thinking “Hey, they should really do another one of these…”.
Okay, I’ve made a concerted effort to get on with the second half of this second season of Monk, so how do the cases taken on by OCD-afflicted police consultant Adrian Monk (Tony Shalhoub) and his assistant Sharona Fleming (Bitty Shram) stand up after a slightly disappointing first eight episodes?
Thank heavens that the Andy Breckman-created TV series Monk is now finished, because at this rate I’ll probably never finish watching it myself. One and a half seasons down, six and a half to go…how are things shaping up?