#355: Change a Letter, Alter the Plot


If you’ve been paying attention, especially to my comments left both here and elsewhere, you’ll be aware that my typing is rather famously variable.  90% of the time I’m good, but that other 10% — man, some errors there are.  Writing something recently, I made reference to the novel Five Little Pugs by Agatha Christie and then — catching myself in time to correct it — I had a thought…

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#336: Highs & Lows – Agatha Christie from The Mysterious Affair at Styles (1920) to Hallowe’en Party (1969)


Wow, those seems like arbitrary dates, hey?  Well, I am up to Hallowe’en Party in my reading of Christie (mostly in order, too…), and will more than likely read the final four novels she wrote — Passenger to Frankfurt (1970), Nemesis (1971), Elephants Can Remember (1972), and Postern of Fate (1973) — this year, and they’re near-universally agreed to be terrible.  So this seems a good point to do some reflecting.

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#335: Stand Not Upon the Order of Your Going – Do You Get the Most Out of an Author by Reading Them Chronologically?


In light of my recent favourable experience with Ellery Queen’s The Chinese Orange Mystery (1934), my thoughts turn to the benefits and pitfalls of reading GAD authors’ novels in chronological order.  The old joke is that they had to write them in that order, but is there any real benefit or detriment in reading them so arrayed?

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