#527: Plotting the Perfect Crime – Potential and Pay-Off via The House of Haunts, a.k.a. The Lamp of God (1935) by Ellery Queen

Black Lizard Locked Room

Slowly, slowly I work my way through the Otto Penzler-edited Woo Whatta Lotta Locked Room Mysteries (2014) — it’s not really a convenient size to dip into — and, since my chronological reading of Ellery Queen is going so well, it seemed time to take on this impossible disappearance story.  Or so I thought…

Continue reading

#485: “What I say is, is it wise or necessary to rake up things?” – Memory as Evidence in Elephants Can Remember (1972) by Agatha Christie

Elephants Can Remember

You’ve heard of Elephants Can Remember (1972): it’s the final time Hercule Poirot investigates a case at Agatha Christie’s direction, written in the final stretch of her career when everything she did was awful and without merit.  Not even I could find something positive to say about it…could I?

Continue reading

#447: The Criminous Alphabet – A is for…Alibi [Part 2 of 2]

A is for

Last week I talked — at great length — about the alibi in crime and detective fiction as utilised by the criminal working alone.  This week, I’ll hopefully find as much (or, depending on your feelings about last week’s post, maybe less) to say where more than one criminal is involved, and then if there’s time I’ll diverge into crimes where there is no alibi.

Continue reading