#355: Change a Letter, Alter the Plot

Paws

If you’ve been paying attention, especially to my comments left both here and elsewhere, you’ll be aware that my typing is rather famously variable.  90% of the time I’m good, but that other 10% — man, some errors there are.  Writing something recently, I made reference to the novel Five Little Pugs by Agatha Christie and then — catching myself in time to correct it — I had a thought…

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#336: Highs & Lows – Agatha Christie from The Mysterious Affair at Styles (1920) to Hallowe’en Party (1969)

Agatha

Wow, those seems like arbitrary dates, hey?  Well, I am up to Hallowe’en Party in my reading of Christie (mostly in order, too…), and will more than likely read the final four novels she wrote — Passenger to Frankfurt (1970), Nemesis (1971), Elephants Can Remember (1972), and Postern of Fate (1973) — this year, and they’re near-universally agreed to be terrible.  So this seems a good point to do some reflecting.

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#335: Stand Not Upon the Order of Your Going – Do You Get the Most Out of an Author by Reading Them Chronologically?

calendar-big

In light of my recent favourable experience with Ellery Queen’s The Chinese Orange Mystery (1934), my thoughts turn to the benefits and pitfalls of reading GAD authors’ novels in chronological order.  The old joke is that they had to write them in that order, but is there any real benefit or detriment in reading them so arrayed?

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#326: Reflections on Detection – ‘Decline of the English Murder’ (1946) by George Orwell and the End of the Golden Age

George Orwell’s essay ‘Decline of the English Murder’ (1946) is focussed not on the quality of said fictional undertakings but rather the attitudes of a society suffering the “brutalising effects of war” and thus immune to the horror of murder the perspectives of both commission and punishment.  Citing the case of the Cleft Chin Murder, in which three people were killed with no meaningful motivation and the opprobrium of the public was vented upon the couple responsible, the sentiment of the final line is easily the most powerful; “crimes as serious as murder should have strong emotions behind them”.

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#323: Reflections on Detection – ‘Why Do People Read Detective Stories?’ (1944) and ‘Who Cares Who Killed Roger Ackroyd?’ (1945) by Edmund Wilson [feat. Gladys Mitchell]

In October 1944 and January 1945, the American newspaper columnist, writer, and critic Edmund Wilson published two essays entitled, respectively, ‘Why Do People Read Detective Stories?’ and ‘Who Cares Who Killed Roger Ackroyd?’.  The second was in response to the exhortations from readers who, appalled by the first, sent him recommendations to improve his outlook…recommendations which, by all accounts, failed miserably.

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