I’ll not deny that I’ve been less than resoundingly positive about latter-era Jonathan Creek (1997-2016). And yet the show undeniably holds a dear place in my heart, not just because it was so damn good at its peak, but also because, in being so, it held huge sway in my interest in impossible crimes. So when playscript The Fantom of the Acropolis (2026) was announced on Kickstarter last year, you’re darn tootin’ that I was excited to get my hands on it.
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I thought I would have done a few more episodes of my increasingly-occasional podcast In GAD We Trust by now, but a couple fell through and I didn’t want to rush out something to replace them that didn’t have my heart in it. Instead, to ward off the dark nights, let’s cast our minds back over a few favourites already available to you, in case you missed them first time around.
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While not quite the Jonathan Creek news we might have been hoping for, yesterday I stumbled over a crowdfunding project on Kickstarter that is really rather exhilarating: the publication of a new stage play in the canon by none other than series creator David Renwick.
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Last week, Nick Cardillo and I discussed the impossible crime on screen, at the end of which he casually asked about Jonathan Creek like I’d be able to condense my thoughts into a pithy bon mot and not obsess about what I’d missed out for the next 30 or 40 years. Instead, we’re back to discuss the series as a whole today.
Continue readingDoes In GAD We Trust have a hype train? If so, stoke the conductor, point the rails, wake up the boiler, and do other train things, because episode 27 is here and Nick Cardillo wants to talk about the impossible crime on screen.
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Imagine it: years from now, you’ll be able to say to your descendants “I was there, I remember well the day Jim finally completed his rule-by-rule examination of the Knox Decalogue“.
Continue readingThe time has come again for some nerdy Golden Age Detection podcasting, and James Scott Byrnside is here to oblige with a discussion about some of the tropes we know and love from GAD fiction
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