In GAD We Trust – Episode 23: What’s in a Watson? [w’ Caroline Crampton]

The companion of the fictional detective — the “stupid friend” as Ronald Knox styled them — is something I have spent far too long thinking about, mainly because the protoype is always taken to be Sherlock Holmes’ chronicler Dr. John H. Watson. Joining me this week to discuss why that might not always be a good comparison to draw is Caroline Crampton of the superb Shedunnit podcast.

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In GAD We Trust – Episode 21: The Diversity of Approaches to Detective Fiction [w’ Martin Edwards]

The detective fiction genre is built around the essential structure of a crime, an investigation of that crime, and the revelation of the guilty party who committed the crime, and good heavens didn’t the Golden Age map out a lot of different ways to walk that path. And there are few people better placed to discuss this than President of the Detection Club and recent recipient of the CWA Diamond Dagger Martin Edwards, who celebrates three decades as a published author this year.

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#790: On the Morals of Golden Age Detective Fiction, via Crime and Detection [ss] (1926) ed. E.M. Wrong

That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.

At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.

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#755: Mystery on Southampton Water, a.k.a. Crime on the Solent (1934) by Freeman Wills Crofts

Mystery on Southampton Water

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For evidence of the restless enthusiasm Freeman Wills Crofts brought to the writing of detective fiction, look no further than the two books he published in 1934. The first — The 12.30 from Croydon, a.k.a. Wilful and Premeditated — was his first inverted mystery, a fairly standard affair in which we are wise to the killer’s reasons, actions, and thoughts from the beginning and which Inspector Joseph French then unpicks quickly in the closing chapters. No doubt Crofts was interested in this new form, but simply repeating a formula which, if we’re honest, gets a little bit long-winded in the closing stages did not appeal. And so changes were wrought for a second stab.

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In GAD We Trust – Episode 14: The Island of Coffins (2021) by John Dickson Carr + The 9.50 Up Express (2021) by Freeman Wills Crofts [w’ Tony Medawar]

We’re all prone to speculate at times about how wonderful it would be to discover a previously-unpublished work by a beloved Golden Age author, and for today’s podcast episode Tony Medawar rejoins me to tempt you with two forthcoming collections of hard-to-find material from two of the genre’s titans — John Dickson Carr and Freeman Wills Crofts.

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#724: The 12.30 from Croydon, a.k.a. Wilful and Premeditated (1934) by Freeman Wills Crofts

12.30 from Croydon

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The writing of an inverted mystery must surely bring with it a certain amount of release.  Your typical detective novel, after all, keeps the villain, their motives, their opportunity, and oftentimes their method occluded from the reader whilst ideally also dropping all manner of subtle hints about them, where the inverted mystery — in which we know the criminal and their motivation from the off, see the crime committed, and must then watch the detective figure it out — removes every single one of these difficulties, requiring only the investigation which would have happened in a ‘straight’ novel of detection anyway.

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#701: Death on the Way, a.k.a. Double Death (1932) by Freeman Wills Crofts

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No, I’m not back from hiatus.  But if you think I’m going to let today’s reissue of three more Freeman Wills Crofts novels — Sudden Death (1932), Mystery on Southampton Water (1934), and Crime at Guildford (1935) — pass without comment, you’re mad.  Plus, in my absence WordPress has foisted a new post-writing setup upon us all, and I need some practice because I hate change.  But the world’s a negative enough place right now, so let’s dwell on the exemplary work done by HarperCollins in bringing Crofts back for us to enjoy; some people have been waiting years to be able to afford some of these titles, and it’s a wonderful thing to have them in general circulation.

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In GAD We Trust – Episode 8: Uncovering Long-Forgotten Short Stories + Bodies from the Library 3 (2020) ed. Tony Medawar [w’ Tony Medawar]

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Today was due to have been the sixth (sixth!) Bodies from the Library conference at the British Library but, for obvious reasons, it’s not.  I can’t, alas, give you a whole day of GAD-based discussion, but I can at least fill an hour with someone from that line-up of exceptionally knowledgable people, Tony Medawar.

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