#1163: Golden Ashes (1940) by Freeman Wills Crofts

Golden Ashes

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Rendered a widow and penniless at a young age — well, she is a Freeman Wills Crofts protagonist — Betty Stanton is fortunate in finding a job as housekeeper and general organiser of newly-minted baronet Sir Geoffrey Buller. Betty is delighted both with the setting of Forde Manor and the enviable collection of art on display — art that is of particular interest to her friend, the famous authority Charles Barke. Before long, however, tragedy strikes — again, this is a Freeman Wills Crofts novel — and Forde Manor burns down, resulting in the loss of both the priceless artefacts within and Betty’s position. And when Charles Barke disappears soon thereafter, a certain DCI French begins to suspect that the events might be linked.

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#1112: Fatal Venture, a.k.a. Tragedy in the Hollow (1939) by Freeman Wills Crofts

Fatal Venture

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Fatal Venture (1939) represents, by my count, the ninth time in twenty-three books that Freeman Wills Crofts has devised a criminal scheme which contains a significant strain of maritime malfeasance. Compared to the mere brace involving railway timetables, you have to wonder why he’s seen as the Timbletable King rather than the Wizard of the Waterways — hell, even these excellent Harper Collins reissues make a point of highlighting his use of railway timetables, so you have to wonder if that myth will ever die. Never mind, this is still superb; highlighting why Crofts has fallen by the wayside compared to some of his peers, perhaps, but enjoyable, clever, and surprising along with it.

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#1049: The End of Andrew Harrison, a.k.a. The Futile Alibi (1938) by Freeman Wills Crofts

End of Andrew Harrison

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It’s been a long road to The End of Andrew Harrison, a.k.a. The Futile Alibi (1938) by Freeman Wills Crofts.  Back when I was fairly new to classic era detective fiction in general, and impossible crimes in particular, I heard rumours of this book — the first I’d ever heard of Crofts — but it turned out to be rather unavailable.  I also heard that Crofts was dull, dull, dull, however, and so spent a long time avoiding him before finally taking the plunge, falling in love with his writing and reading 22 of his novels in broad chronology, in which time Andrew Harrison was reprinted by Harper Collins.  And…that just about brings us up to date.

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#1003: Found Floating (1937) by Freeman Wills Crofts

Found Floating

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In the same year that Agatha Christie mixed sight-seeing and shipboard slaughter in Death on the Nile (1937), Freeman Wills Crofts sent his series detective, Chief Inspector Joseph French, into bat with a similarly travelogue-rich tale of marine-centric malfeasance. Found Floating (1937) might, in many ways, be seen as Crofts’ take on the essential principles of a Christie plot, even if it does highlight many of the reasons Dame Agatha has remained in the public consciousness while Crofts is only now enjoying a resurgence in awareness and popularity. Indeed, for a man who made hay in the annals of the realistic detective story, this might be his most successful brush with verisimilitude yet.

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#946: Law and Order – Ranking the First Fifteen Inspector French Novels (1924-36) by Freeman Wills Crofts

With the sixteenth to twenty-fourth novels by Freeman Wills Crofts to feature his series detective Chief Inspector Joseph French due to be republished between now and January 2023 (well, #18, Antidote to Venom (1938), is already available from the British Library) it occurred to me that people might be looking for advice about the first fifteen — all, incredibly, in print.

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#945: Man Overboard!, a.k.a. Cold-Blooded Murder (1936) by Freeman Wills Crofts

Man Overboard

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Today sees the republication of Found Floating (1937), the twentieth of Freeman Wills Crofts’ novels and the sixteenth to feature (Chief) Inspector Joseph French, the first of eight reprints due between now and January 2023. And so let us turn our attention to Man Overboard, a.k.a. Cold-Blooded Murder (1936) — the fifteenth French novel and final entry in the last set of Crofts reprints — in which a man gets on a ferry in Belfast and is no longer aboard when it arrives in Liverpool…so what happened to him between those two points? Alas, in answering that question Crofts has written what is for me his first dud in 19 books.

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