#434: Locked Room International is 30 – My Favourite 15 Books

LRI Thirty

Some months ago, in our podcast The Men Who Explain Miracles, first myself and then Dan chose our fifteen favourite locked room novels of all time.  In celebration of Locked Room International recently putting out their thirtieth fiction title, I have done essentially the same again, this time choosing solely from their catalogue: effectively, my personal picks for the ‘top half’ of their output to date.

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#337: Foreign Bodies [ss] (2017) ed. Martin Edwards

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Had you asserted back in 2014 that the republication of two forgotten crime novels would lay the foundation for one of the most celebrated series of GAD reissues in modern times, well, people would have laughed.  And yet the British Library Crime Classics collection, under the stewardship of Martin Edwards and Rob Davies, is now over 50 books deep and gathering momentum for another exciting year.  And it’s a sure sign of the hale condition of the series that, far from simply reissuing books, they’re now branching out into original translations with this collection of overseas tales.  In the words of Ira Gershwin, who’s got the last laugh now?

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#330: Highs & Lows – Five Reading Highlights of 2017

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January, month of rebirth and self-recrimination.  For every resolution to improve there must be some frank assessment of what debilitated you in the first place, and so the month can take on a curiously Jekyll-and-Hyde aspect for some.  So my Tuesday posts for this month will be a mixture of what is good and bad in my reading, and where better to start than a celebration of the previous 12 months?

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#242: The Ginza Ghost [ss] (1932-47) by Keikichi Osaka [trans. Ho-Ling Wong 2017]

Disclosure: I proof-read this book for Locked Room International in March/April 2017.

The Ginza GhostAfter two wonderful shin honkaku novels in The Decagon House Murders by Yukito Ayatsuji and The Moai Island Puzzle by Alice Arisugawa, John Pugmire’s Locked Room International now brings you this honkaku story collection from early pioneer Keikichi Ōsaka.  The introduction by Ashibe Taku, author of Murder in the Red Chamber (2004), does a great job of putting Ōsaka in context, since this was a nascent form of mystery writing that allows a fascinating and at times hugely inventive take on a genre we thought we’d seen everything in already — no mean feat when some of the best here are over 80 years old.  And some of these solutions have to be read to be believed… (in a good way, that is).

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