We are here today to discuss The Moving Toyshop (1946) — Edmund Crispin’s third novel to feature his Oxford University don detective Gervase Fen — in full, spoiler-rich style…proceed no further if you wish read this book without knowing, y’know, everything that happens.
As a GAD reader, there’s little more satisfying than closing a book that came through on its promise — the ingenious impossibilitiy was ingenious, the baffling alibi trick was smartly worked, the clues stuck their heads out at you from all over the place, and the detective summed it all up with an added twist just to prove how dolt-headed you, the reader, are.
Never let it be said that I’m a stubborn man. Well, okay, no, not that so much, but only a short while ago I was owning up to the shame that I’d probably never read this book and yet here I am — following reassurances from no less authorities than Nick Fuller and TomCat — reviewing, and so presumably having read, it. Here’s the heart-in-my-hands moment: Crispin wrote 4½ great books, then a terrible one, then this one, then another terrible one, and this was the only one I’d not read. But it’s bracketed by two books so awful that I’d wipe them out of existence, so my fears were, I feel, well-founded. And you want to know what I thought, right? Were my reservations borne out? Who was right? Ohmygod the tension…well, let’s get into it.
We’ve all done it — in the excitement of finally stumbling across a novel by an author we’ve heard a lot about (or maybe heard nothing about, if you’re feeling adventurous) you snap up a book, take it home…and it lingers and lingers on your TBR, staring at you every time you go near your bookshelves to pick something out. The guilt of its unread-ness builds inside of you, but the inclination to actually open it and read it never quite matches the initial rush of blood to the head that saw you buy it in the first place.