#563: The Rose in Darkness (1979) by Christianna Brand

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I don’t think I’ve ever disliked the cast of a novel as much as I disliked the core group of The Rose in Darkness (1979) by Christianna Brand.  Goddamn, what a bunch of self-centred, self-congratulatory, self-satisfied, smug, pretentious, vacuous, condescending, poseur, low-rent hipster prigs.  You say ‘bohemian’, I say ‘unbearable’ — were people really like this in the Seventies?  And, because Brand does her usual thing of telling you up front that there’s one victim and one killer, you know that once the body turns up you’re stuck with the rest of them until the end.  Good heavens, there’s never a serial killer around when you need one.

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#447: The Criminous Alphabet – A is for…Alibi [Part 2 of 2]

A is for

Last week I talked — at great length — about the alibi in crime and detective fiction as utilised by the criminal working alone.  This week, I’ll hopefully find as much (or, depending on your feelings about last week’s post, maybe less) to say where more than one criminal is involved, and then if there’s time I’ll diverge into crimes where there is no alibi.

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#418: Spoiler Warning 7 – Fog of Doubt, a.k.a. London Particular (1952) by Christianna Brand

spoiler-warning

As discussed previously, we are here today to find out how good I am at spotting clues and things in the detective novel London Particular, a.k.a. Fog of Doubt (1952) by Christianna Brand.  We’ll be doing this by examining my thoughts on a chapter-by-chapter basis and there will be spoilers.  Do not read futher if you wish to remain unspoiled.

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