#576: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #12: Endgame (2019) by Daniel Cole

Endgame

I started, but did not finish, Daniel Cole’s debut novel Ragdoll (2017), which seemed to me a gruesome hook followed by a lot of meandering prose.  Endgame (2019), his third novel, promised me a dead body in a locked room and so, since I’m reluctant to write off anyone after just one book, here we are.

Continue reading

#549: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #11: Now You See Me (2019) by Chris McGeorge

Now You See Me

The English language is a funny thing.  Take for instance Chris McGeorge’s debut novel Guess Who (2018) which, revolving as it did around a group of people solving a mystery while locked in a room, was marketed as a ‘locked room mystery’ when that is a phrase which has already had another meaning for well over a century.

Continue reading

#192: The Tuesday Night Bloggers – First Steps Into the Woods with Orion’s Crime Masterworks…

tnbs-firsts

Last week I talked about my first encounter with both Agatha Christie and classic detective fiction, and it got me all reflective about how things built from there and brought us to the point where via magic of some sort you’re reading words that I’ve written and anticipating that this will have something to do with classic crime and detective fiction any minute now…

Continue reading

#162: The Tuesday Night Bloggers – Meta-Fictional Historical Deconstruction in Magpie Murders (2016) by Anthony Horowitz

tnbs-history

Anthony Horowitz is probably my favourite contemporary author of detective fiction, as his superb Sherlock Holmes novel The House of Silk (2011) and its genuinely exceptional follow-up Moriarty (2013) displayed an affinity for both the milieu of Holmes and the necessary misdirection and construction of a blistering plot that blindsides you at will which seems to elude many who try to walk this path these days.  His earlier novel The Killing Joke (2004) isn’t really detective fiction per se, but shows a playfulness with narrative that is aware of many of the tropes of genre fiction and is worth mentioning here precisely because of how much it foreshadowed the work he does in Magpie Murders when it comes to deconstructing the classical detective and his ilk.

Continue reading

#118: Jack Glass (2012) by Adam Roberts

Jack Glass“The impulse for this novel,” says Adam Roberts “was a desire to collide together some of the conventions of ‘Golden Age’ science fiction and ‘Golden Age’ detective fiction, with the emphasis more on the latter than the former.”  Well, count me in!  Sure, the authors he then cites (Margery Allingham, Ngaio Marsh, Dorothy L. Sayers, Michael Innes) don’t all fill me with delight, but this is a collision of my two favourite genres plus impossible crimes — how could I pass it up?!  And it would have passed me by entirely had not blog-commenter ravenking81 brought it to my attention, so my most genuine thanks for that; at its best it’s a fascinatingly successful attempt at merging the two genres in a way that recalls both Isaac Asimov and John Dickson Carr, who, y’know, are the two finest authors to have worked in their respective genres.  So that’s a good thing.  By definition, however, it is not always at its best. Continue reading