#1018: “If it’s a new wrinkle in the art of homicide, I want to know all about it.” – The White Priory Murders (1934) by Carter Dickson

It speaks volumes about the excitement that the work of John Dickson Carr provokes in me that, with still around 20 of his novels unread, I’m revisiting some favourite titles from his output. Of course, it doesn’t hurt that the likes of the American Mystery Classics and the British Library Crime Classics ranges are putting out such lovely new editions — and who wouldn’t want to revisit Carr in his prime?

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#930: Night at the Mocking Widow (1950) by Carter Dickson

Night at the Mocking Widow

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I love a good village poison pen mystery but, as I’ve said before, they’re difficult to write because both the village and the mystery must convince and compel. Night at the Mocking Widow (1950), the twentieth book written under John Dickson Carr’s Carter Dickson nom de plume to feature Churchillian sleuth Sir Henry ‘H.M.’ Merrivale, starts off seeming like a great example of both…but once we hit the halfway stage and the impossible appearance and vanishing of the sinister Widow presents itself, the life rather goes out of things. From that point on, it feels more like a writing exercise than a novel, and one that Carr is forcing himself to complete.

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#895: “There are some jokes, young man, that are not permitted here.” – Speak of the Devil [rp] (1994) by John Dickson Carr [ed. Tony Medawar]

The recently-published The Island of Coffins (2020) brought several of John Dickson Carr’s previously-unavailable radio plays to public attainability, and gave many of us the chance to appreciate the Master in a slightly different milieu. Shortly after reading that wonderful volume, I was lucky enough to acquire Speak of the Devil (1994), the script for the eight-part radio serial Carr wrote for broadcast in 1941, and it is to that which we turn today.

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#888: A Graveyard to Let (1949) by Carter Dickson

Graveyard to Let

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Sir Henry “H.M.” Merrivale, having travelled over to the United States aboard the Mauretania (I guess Maurevania was already taken) on his way to business in the nation’s capital, is summoned by telegram to the home of Frederick Manning. “WILL SHOW YOU MIRACLE AND CHALLENGE YOU TO EXPLAIN IT” runs that missive, a challenge H.M. cannot possibly pass up. And a miracle we get: Manning jumping, fully clothed, into his swimming pool and said clothes coming to the surface without his presence within them. So, howdunnit? And howlinkit to stories of financial skulduggery in Manning’s charitable foundation, plus rumours of his running around with a much younger woman — his first romantic attachment since his wife’s death 18 years earlier?

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#847: “Vital and immediate. Vital and immediate.” – ‘Secret Radio’ [rp] (1944) by John Dickson Carr

If you were fortunate enough to get one of the 150 hardcover editions of The Island of Coffins and Other Mysteries from the Casebook of Cabin B-13 (2020) by John Dickson Carr — and I was — you also got an additional pamphlet containing the play ‘Secret Radio’ (1944). And so, having completed my reviews of the collection proper, I turn my attention to this delightful appendix.

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In GAD We Trust – Bonus Episode! The Highs and Lows of Jonathan Creek [w’ Nick Cardillo]

Last week, Nick Cardillo and I discussed the impossible crime on screen, at the end of which he casually asked about Jonathan Creek like I’d be able to condense my thoughts into a pithy bon mot and not obsess about what I’d missed out for the next 30 or 40 years. Instead, we’re back to discuss the series as a whole today.

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In GAD We Trust – Episode 26: The Maxims of Misdirection

I’m as surprised as you to see a new episode of my In GAD We Trust podcast, especially as I said on Thursday that there was unlikely to be one this weekend — well, okay, perhaps a I’m little less surprised than you, since I (sort of) planned, recorded, and (sort of) edited this, but you get the idea. However, on Thursday everything (sort of) came together and I was able to record this almost in one take and so here we are.

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