#1168: Patrick Butler for the Defence (1956) by John Dickson Carr

Patrick Butler for the Defence

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It is perhaps fitting — though, I assure you, completely accidental — that a locked room murder in a novel by John Dickson Carr, doyen of the apparently undoable nevertheless rationally explained, is the focus of the 500th post on this blog to be tagged “impossible crimes“.  Sure, upon realising this I could have chosen one of Carr’s acknowledged masterpieces to reread, but I enjoyed the divisive barrister Patrick Butler, K.C. at first encounter, and was intrigued to see how the character fared without the support of Carr’s frequent and best sleuth, Dr. Gideon Fell. And, having given up on the two Carr novels I tried to read prior to this, I’m pleased to report that I enjoyed a fair amount of what Carr did here.

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#1161: “Who was murdered? When? How? Why?” – The Art of the Impossible, a.k.a. Murder Impossible [ss] (1990) ed. Jack Adrian and Robert Adey, Part 1 of 2

In a bizarre turn of events, I have no memory of acquiring the much-sought-after anthology The Art of the Impossible, a.k.a. Murder Impossible (1990) edited by the legendary pairing of Jack Adrian and Robert Adey. And yet I do have a copy. So let’s worry about my leaky memory later, and instead pick through some classic impossible crimes selected by two of the most knowledgeable men in the business, eh?

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#1135: “Don’t be so infernally bloodthirsty!” – Who Killed Father Christmas? and Other Seasonal Mysteries [ss] (2023) ed. Martin Edwards

Astoundingly, Who Killed Father Christmas? (2023) is the fifth collection of seasonal mysteries collated by Martin Edwards for the British Library Crime Classics range. And, with the BL kind enough to provide me with a review copy, it seemed like the perfect excuse to start some Christmas reading a little earlier than planned.

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#1130: The Red Widow Murders (1935) by John Dickson Carr [a.p.a. by Carter Dickson]

red-widow-murders

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I’ve written previously about The Red Widow Murders (1935) — John Dickson Carr’s first take on the Room That Kills, originally published under his Carter Dickson nom de plume — but this American Mystery Classics reissue is a chance to look at the book more broadly and attach a star value to it. This third reading reinforced my impression that it’s perhaps too busy a book, redolent with the enthusiasm the youthful Carr brought to his early efforts when his eagerness outweighed his skill with juggling plot, but reading it three times also give me a good perspective on its many successes, not least of which is just how busy Carr manages to make it.

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#1106: Captain Cut-Throat (1955) by John Dickson Carr

Captain Cut-Throat

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Just as you shouldn’t judge a book by its cover, don’t judge Captain Cut-Throat (1955) — John Dickson Carr’s breathless tale of Napoleonic-era espionage and swagger — by its first chapter. The opening to this otherwise very enjoyable story took me three attempts to conquer, as Carr really wants you to know he’s done his research and so crams in too much detail with insufficient focus, leaving me floundering and fearful…a feeling no doubt amplified by my having given up on the two books he published prior to this because they seemed too diffuse to be worth persevering with. Push on, and this soon becomes a propulsive and delightfully plotted romp for the majority of its length.

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#1018: “If it’s a new wrinkle in the art of homicide, I want to know all about it.” – The White Priory Murders (1934) by Carter Dickson

It speaks volumes about the excitement that the work of John Dickson Carr provokes in me that, with still around 20 of his novels unread, I’m revisiting some favourite titles from his output. Of course, it doesn’t hurt that the likes of the American Mystery Classics and the British Library Crime Classics ranges are putting out such lovely new editions — and who wouldn’t want to revisit Carr in his prime?

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#996: The Nine Wrong Answers (1952) by John Dickson Carr

Nine Wrong Answers

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In order to read the full text of The Nine Wrong Answers (1952) by John Dickson Carr you must read the first edition hardcover, as all paperback printings having been reduced by what Carr’s biographer Douglas Greene estimates to be about 15%. And, having now read the condensed text, it’s difficult not to feel that the book could actually be shortened by about another 30% since, in expanding this up from his radio play ‘Will You Make a Bet with Death?’ (1942), Carr has stretched a thin premise now too thin. A lot of the distractions here are simply that: distractions, and the core excellence of the plot is rendered tedious at times when trying to support so many circumlocutions.

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