#605: Castle Skull (1931) by John Dickson Carr

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I’m being a bit cheeky here, using what I believe will be the cover for the British Library Crime Classics reissue of this due out early next year when it’s not actually my copy — I’ll show that below — but, c’mon, it’s a thing of beauty.  The skull-shaped castle the title promises and narrative delivers has been somewhat done to death in previous editions, and it’s nice to see someone being a little more liberal in their interpretations.  Though, now I’ve said that, the BL will change the cover ahead of its January release to a castle made entirely of skulls, presided over by a man made of skulls, punching Skeletor with a skull-shaped boxing glove.

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#579: Cover Stars – Abigail Salvesen on Hag’s Nook (1930) and She Died a Lady (1943) by John Dickson Carr [Polygon Books 2019 editions]

Cover Stars Abi

Book cover art is, for me, a source of huge excitement. Be it for reasons of apt evocation of a bygone era — the British Library Crime Classics, say, or the reams of Dean Street Press reissues — or the beautiful, almost utilitarian simplicity of the much-coveted Green Penguin, there’s an ineffable element of skill in striking the right balance.

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#578: She Died a Lady (1943) by Carter Dickson

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Firstly, good heavens the excitement of posting a John Dickson Carr review without then tagging it OOP — Polygon Books have Hag’s Nook (1933), The Case of the Constant Suicides (1941), and She Died a Lady (1943) in their stable, and the British Library and Otto Penzler have added more, with more to come.  And after last week’s brilliant and baffling no-footprints murder in a lonely corner of England, and with my broadly chronological reading of Carr’s work bringing She Died a Lady back into my orbit, the stars seemed to be aligning on a reassessment of this, probably the most consistent contender for Best Carr Novel of All Time.

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#557: The Gilded Man, a.k.a. Death and the Gilded Man (1942) by Carter Dickson

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It had been my intention to review a book by a new-to-me author this week, but thankfully I was able to get to it a little ahead of time and watch disconsolately as, after a bright start, it fizzled out to nothing (man, some Silver Age stuff has a lot to answer for…).  Instead, here’s another from John Dickson Carr’s era of tight, house-set puzzles which range from masterpieces (The Reader is Warned (1939), The Seat of the Scornful (1941)) to very good (The Crooked Hinge (1938), The Emperor’s Snuff-Box (1942)) to, er, Seeing is Believing (1941).  And with The Gilded Man (1942) being somewhat overlooked, I wasn’t entirely sure what I was going to get…

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#527: Plotting the Perfect Crime – Potential and Pay-Off via The House of Haunts, a.k.a. The Lamp of God (1935) by Ellery Queen

Black Lizard Locked Room

Slowly, slowly I work my way through the Otto Penzler-edited Woo Whatta Lotta Locked Room Mysteries (2014) — it’s not really a convenient size to dip into — and, since my chronological reading of Ellery Queen is going so well, it seemed time to take on this impossible disappearance story.  Or so I thought…

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