One haunted house. One impossible crime. One killer weekend. Thus runs the promise on the front cover of Murder Most Haunted (2025), the debut novel of Emma Mason, and that was enough to get in on my TBR as a modern example of the impossible crime that we’re no longer pretending I read just for TomCat‘s sake. So, did it deliver on those promises?
Continue reading
I stumbled over the Baker Street Irregulars: The Game is Afoot [ss] (2018) collection, in which thirteen authors offer wildly varying alternative versions of Sherlock Holmes, when searching for more criminous tales by Jonathan Maberry, one of the highlights of the C. Auguste Dupin-extending collection Beyond Rue Morgue [ss] (2013).
Continue reading
When A. Carver published The Christmas Miracle Crimes (2023) close to Christmas 2023, I was caught off-guard: with that title, one feels it should be read in the Winter, and I try to be about four to five weeks ahead on my blogging and so it had to wait until 2024. Then I just…didn’t read it in 2024, so Winter 2025 finally comes to the rescue
Continue reading
I have, in my limited exposure to his work, come to quite enjoy the thrillerish tendencies of Horatio Edgar Wallace. You don’t come to him for solid plotting, intelligent detection, or subtle clewing, but there’s a brand of creativity he brings to his wild schemes that is difficult to find elsewhere.
Continue reading
We’ve all been there, eh? One minute you’re imagining violent and fitting deaths for all the people who demean and annoy you on a daily basis, and the next those very same people are dying in front of you while you’re powerless to help. What? You’ve…not been there? Oh.
Continue reading
Having previously poked their tongue into their cheeks with Your Guide to Not Getting Murdered in a Quaint English Village (2021), Maureen Johnson and illustrator Jay Cooper turn their minds to committing crimes rather than evading them with The Creeping Hand Murder (2025). I have Brad to thank for bringing this to my attention, and, having recently held forth on the hiding of clues, it seemed the perfect opportunity to look at the inevitable use of the visual to communicate that which would be far more obvious, or difficult to convey subtly, in prose.
Continue reading
It’s fairly incredible to me that I have a copy of The Sealed Room Murder (1934), originally published by James Ronald under his Michael Crombie nom de plume, at all. Only the recent efforts of Chris Verner and Moonstone Press to bring Ronald’s criminous oeuvre back into print for sensible money have made this and others available to fans like me without endless connections and deep pockets, and I remain extremely grateful for their undertaking. The book, then, delivers largely what one has been able to come to expect from Ronald’s earlier, pulp-adjacent writing, with much thrill and little substance: fun, but not worth the sorts of money previously requested online.
Back in 2020 I read and largely enjoyed Jamie Probin’s novel The Thirteenth Apostle (2020) and the short story ‘The Episode of the Nine Monets’ (2020). The first was admittedly rather prolix, but it showed great promise and I’ve kept an eye out for his work ever since.
Continue reading
After five novels of seemingly impossible crimes explained away with seemingly inexhaustible ingenuity, James Scott Byrnside tackles the far harder shorter form in his latest book, It’s About Impossible Crime (2025), which gives us five stories featuring his most frequent protagonists, Chicago P.I.s Rowan Manory and Walter Williams.
Continue reading
A nice bit of crossover here, with a juvenile mystery that’s also a self-published impossible crime novel easing the transition from Minor Felonies this month to another batch of Adventures in Self-Publishing in November.
Continue reading
The Invisible Event 