Okay, where to start with this one?Continue reading
Recently, while recording an episode of the rightly-popular Shedunnit podcast, I was moved to lament the decline in quality represented by most modern attempts at the impossible crime in fiction (and, for all I know, in reality, too). Today’s self-published crime novel, Ill Wind (2020) by Jean Heller, perhaps demonstrates the reasons for that decline better than I’ve previously managed myself.Continue reading
In 2019 the Marvel Cinematic Universe reached its culmination in Avengers: Endgame, somewhat overshadowing the fact that Rob Innes’ 10-book Blake Harte series was also about to pay off in this, the first novel-length entry.Continue reading
It’s fair to say that no-one has done more for the curation of John Dickson Carr’s work than Douglas G. Greene: collecting various obscure short pieces in the likes of The Door to Doom and Other Detections (1980), Merrivale, March, and Murder (1991), and Fell and Foul Play (1991), writing the staggeringly comprehensive (and recently reprinted) biography The Man Who Explained Miracles (1995), and enabling, through Crippen & Landru, publication of two — soon to be three — collections of Carr’s radio scripts edited by Tony Medawar.Continue reading
You’re doubtless aware of the superbly wide-ranging Golden Age-focussed Shedunnit podcast run by Caroline Crampton, and I was delighted to be asked to contribute to an episode about locked room mysteries and impossible crimes. The results are now online for your listening pleasure.
The devastation wrought by the First World War in the sheer quantity of life lost saw an upsurge in the popularity of spirit mediums, to the extent that no less an authority on the rational than Arthur Conan Doyle fell under their spell. Given that this rise in open chicanery coincided with the birth of the detective novel, it surprises me that The Psychic Killer took such a long time to appear in GAD, perhaps owing to its intersection with the impossible crime and the associated difficulties of explaining away the tricks on the page — The Reader is Warned (1939) by Carter Dickson being easily the best example of a very, very small subset.