#749: The Red Right Hand (1945) by Joel Townsley Rogers

Red Right Hand

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I first read The Red Right Hand (1945) by Joel Townsley Rogers about a decade ago — maybe more, maybe less, it’s fitting given the nature of the narrative herein that I’m a little hazy on the precise details. I’m unsure how it came to my attention, but I do know that I had expected a traditional suspects-murder-investigation-solution structure and that, when the book absolutely did not deliver this, it proved to be a frustrating read. This reissue by the American Mystery Classics range, then, was to be celebrated for a chance to re-evaluate the novel — my previous copy having gone who knows where — knowing what I was getting. And, well, it is still a frustrating read.

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In GAD We Trust – Episode 16: Modern Writers in the Golden Age Tradition [w’ Puzzle Doctor @ In Search of the Classic Mystery Novel]

Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss modern detective fiction, few are better-placed than Puzzle Doctor, a.k.a. Steve from In Search of the Classic Mystery Novel.

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#735: Reprint of the Year – The Red Locked Room [ss] (2020) by Tetsuya Ayukawa [ed. Taku Ashibe & Ho-Ling Wong; trans. Ho-Ling Wong 2020]

So, the obvious question in light of this entry into the Reprint of the Year Awards 2020 as organised by Kate at CrossExaminingCrime is: can these stories originally published between 1954 and 1961 be considered a reprint if they’ve never been published in English before? To which I ask: if they couldn’t, would they be in the running for the Reprint of the Year Awards?

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#730: The Lost Gallows (1931) by John Dickson Carr

Lost Gallows, The

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It’s rather a coup of scheduling that the British Library opted to reissue this November-set second case for Henri Bencolin in November 2020, because there’s something distinctly eerie the fog-shrouded, darkening streets of the London of John Dickson Carr’s second novel The Lost Gallows (1931) that would, one feels, be lost if read in the blistering July sunshine (yes, thank-you, the Southern Hemisphere). Indeed, I enjoyed this one more at this second reading than I thought I would — in part because Carr’s melodrama doesn’t hit me so hard second time around, but I’m also going to cite “tis the season” as a definite factor.

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#728: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #15: The Devil and the Dark Water (2020) by Stuart Turton

While I don’t quite share the optimism of my fellow impossible crime aficionado TomCat that a second Golden Age of detective fiction is on the horizon, there can be no denying that some great neo-orthodox detective novels have been written in recent years by the likes of James Scott Byrnside, Anthony Horowitz, and (with a heavy emphasis on the neo) Stuart Turton.

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#715: The Woman in the Wardrobe (1951) by Peter Shaffer [a.p.a. by Peter Antony]

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The one thing a book cannot guard against is the expectations that build up around it — and the rarer a book proves to be, the more apocryphal its contents, the higher those expectations tend to rise. The Woman in the Wardrobe (1951) by Peter Shaffer has been staggeringly unobtainable for decades now and, with no less an authority than Robert Adey promising “a brilliant new solution” for its locked room murder, had much to live up to. We can’t blame the book for the solution not being new — not even slightly, Bob — but we can blame it for the flaws that disappointingly crop up in several key regards.

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