#412: On the Appeal of Impossible Crimes – At Death’s Door…


I’ll he honest, I’m not really sure what this post is about.  See, I’ve been mulling the appeal of the impossible crime novel for, well, years now, and having previously looked at what makes something an impossible crime the thing I’ve been mulling lately why the concept of an impossible crime is so appealing.  This, then, is the end result of those lucubrations, unfocused as they are despite being pinned on a very small area of interest.

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#411: Six Were to Die, a.k.a. The Dark Angel (1932) by James Ronald [a.p.a by Kirk Wales]

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I feel as if I’m encroaching on the territory of John Norris at Pretty Sinister by reviewing a book that isn’t all that easy to come by; worry not, John, I don’t have well-enough stocked shelves to support this kind of habit, so it’s back to normal next week.  This title is one that — like What a Body! (1949), The Rynox Mystery (1930), Death Has Many Doors (1951), and Dead Man Control (1936) — was brought to my attenion by the Roland Lacourbe library of highly-regarded impossible crime novels, though due to the absence of a French translation did not qualify for the main list.  Well, as you can see from the rating above, I think our Francophone brethren are missing out.

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#405: The 8 Mansion Murders (1989) by Takemaru Abiko [trans. Ho-Ling Wong 2018]

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Before we get onto the book itself, it’s worth mentioning that this is the twenty-ninth publication from Locked Room International.  Under the stewardship of John Pugmire, we’ve been brought a wonderful mix of classic and modern impossible crime novels and short stories from all corners of the globe, and — given the standard of their recent output — it certainly seems that the best is far from past.  I anticipate a great many excellent, obscure, and previously-untranslated works coming our way in the years ahead thanks to LRI, and I wanted to take a moment to recognise the work that goes into making this happen.

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