#1335: The Man Who Slept All Day (1942) by Craig Rice [a.p.a. by Michael Venning]


Reading her novels chronologically, I’m moved to declare that 1942 was a big year for Craig Rice. Prior to then, she had written five fast-moving, wildly inventive mysteries featuring wisecracking lawyer John J. Malone and Jake and Helene Justus, but 1942 saw Rice diversify with (not necessarily in this order) a Malone novel in The Big Midget Murders (1942) that ramped up plot complexity, The Sunday Pigeon Murders (1942) taking on a new setting with a more dim-bulb presence at its core, atmosphere overwhelming the slow-moving Telefair (1942) and now, with The Man Who Slept All Day (1942), long character-work taking over from plot mechanics so that you really do care about the people involved. That noise you hear is the stretching of some wings.

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#1137: Catch-As-Catch-Can, a.k.a. Walk Out on Death (1953) by Charlotte Armstrong

Catch as Catch Can

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When Dee Allison’s itinerant uncle Jonas Breen pulls one of his sudden appearing acts and then promptly dies, leaving the overwhelming majority of his fortune to his newly-on-the-scene 18 year-old daughter Laila, the problems sown in the family are only just beginning. When the unworldly Laila runs away from home, unaware that she has eaten poisoned food which has already killed their housekeeper, Dee and her fiancée Andy Talbot are in a race against time to find the young woman before she, too, succumbs. And with some elements of the family possibly happier if Laila were dead, since that would solve their own financial woes, well, then you have a plot on the boil.

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#972: Peril at Cranbury Hall (1930) by John Rhode

Peril at Cranbury Hall

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Accompanying an architect in an examination of the faded ancestral pile of Cranbury Hall, prim solicitor Arthur Gilroy happens upon his wastrel half brother Oliver, with whom he has an interview later that evening, who is rather elliptical about the reason for his presence.  The two part on not unfriendly terms and, soon after, a shot rings out that is attributed to poachers taking liberties on the ownerless land.  But when Oliver fails to show up for their meeting, Arthur begins to suspect that “some mysterious tragedy had occurred”…and he might be right, since that shot turns out to have been merely the first attempt on Oliver’s life.

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#928: “Now we’re involved in it all over again…” – Heads You Lose (1941) by Christianna Brand

With the British library Crime Classics range apparently achieving the impossible by arranging for Green for Danger (1944) and Death of Jezebel (1948) by Christianna Brand to be reprinted, the time seemed ripe to take her second novel Heads You Lose (1941) out of the shelf space that it recently started occupying and see how it stacks up.

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#921: The Footprints on the Ceiling (1939) by Clayton Rawson

Footprints on the Ceiling

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This might be the longest-gestating punchline in blogging history, but it was also about time I returned to Clayton Rawson. Ever since the American Mystery Classics reissued Rawson’s debut novel Death from a Top Hat (1938), I’ve been waiting for them to release his second, The Footprints on the Ceiling (1939), so that I could finally experience it. And then I discovered a few months ago that I’d already bought Footprints as an ebook and it had been waiting, long-forgotten, on my e-reader of choice. And, as someone who feels Rawson’s best work might have been his short stories, I have to say that I very much enjoyed…most of this.

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#641: Killed on the Rocks (1990) by William L. DeAndrea

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The brain works in funny ways. TomCat has been a champion of Killed on the Rocks (1990), the sixth novel to feature William L. DeAndrea’s semi-amateur sleuth Matt Cobb, for as long as I can remember.  I learned of this book from TC’s list of favourite impossible crime novels, and was delighted to find a copy about 16 months ago, but it would have sat on my shelves for a long time yet — because, dude, my TBR is haunting — had I not learned, quite by accident, that DeAndrea himself died at the tragically tender age of 44.  I can’t explain the logic, but I suddenly had the urge to read this, and the desire to enjoy it…and now I’ve done both.

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#554: The Case of the Solid Key (1941) by Anthony Boucher

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Several years ago, discovering that the impossible crime novel was a thing, I read Anthony Boucher’s Nine Times Nine (1940), originally published as by H.H. Holmes, and loved it.  I then discovered TomCat’s list of favourite impossible crime novels and was intrigued by the fact that, eschewing the accepted classic that Nine Times Nine is, Boucher’s later, less discussed The Case of the Solid Key (1941) was included there instead (TC, it must be said, is something of an iconoclast…).  More Boucher followed, some of it disappointing, and last year I finally ran to ground a copy of TCotSK in a secondhand bookshop in Philadelphia and — at long, long last — here we go.

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#334: The Chinese Orange Mystery (1934) by Ellery Queen

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Sure, laugh it up.  Just a few short months ago I stated my intention to read the entirety of the output of Manny Lee and/or Frederic Dannay under the Ellery Queen nom de plume, and here I am — some struggles later — jumping ahead to a more warmly-perceived title.  I’m not happy about it myself, I much prefer to do these things chronologically, but equally I want to want to read their books again.  I’ve loved some, been unaffected by others, and abominated a handful, and as such Queen remains a problem child for me.  So here I am, back on the horse in a different town, mixing metaphors with the best of ’em.  And the result…?

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