#502: The Door Between (1937) by Ellery Queen

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Brad has threatened to drum me out of the GAD Club Members’ Bar for my lack of kow-towing to the work of Ellery Queen.  In fairness, I really rather enjoyed Halfway House (1936), but here I am fighting for my rights.  And I think he’s timed this deliberately, being well aware that The Door Between (1937) was up next for me, because Gordon’s beer is Eva MacClure, the heroine who finds herself at the centre of an impossible murder plot, one of the most frustrating perspective characters I’ve yet encountered. Goodness, she makes one positively ache for the company of Noel Wells from The Saltmarsh Murders (1932) by Gladys Mitchell.

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#412: On the Appeal of Impossible Crimes – At Death’s Door…

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I’ll he honest, I’m not really sure what this post is about.  See, I’ve been mulling the appeal of the impossible crime novel for, well, years now, and having previously looked at what makes something an impossible crime the thing I’ve been mulling lately why the concept of an impossible crime is so appealing.  This, then, is the end result of those lucubrations, unfocused as they are despite being pinned on a very small area of interest.

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#404: Little Fictions – The Impossibilities of Ellery Queen: ‘The Black Ledger’, a.k.a. ‘The Mysterious Black Ledger’ (1952) and ‘Diamonds in Paradise’ (1954)

QBI & QF

To finish off this month looking at some of the impossible crime short stories of Ellery Queen — which started without an impossibility, went verbosely downhill, and then improved significantly — I’m again looking at two stories since both are pretty darn short.  And so…

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