The detective fiction genre is built around the essential structure of a crime, an investigation of that crime, and the revelation of the guilty party who committed the crime, and good heavens didn’t the Golden Age map out a lot of different ways to walk that path. And there are few people better placed to discuss this than President of the Detection Club and recent recipient of the CWA Diamond Dagger Martin Edwards, who celebrates three decades as a published author this year.Continue reading
That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.
At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.Continue reading
If it bothers you that you were not among the lucky souls able to attend last weekend’s online Bodies from the Library conference — and bother you it should, Bodies is always a great day out — some good news!Continue reading
You thought this podcast was nerdy before? You ain’t seen nothin’ yet. Today we welcome the GADisphere’s own Scott K. Ratner, and things get taxonomical…Continue reading
You’re doubtless aware of the superbly wide-ranging Golden Age-focussed Shedunnit podcast run by Caroline Crampton, and I was delighted to be asked to contribute to an episode about locked room mysteries and impossible crimes. The results are now online for your listening pleasure.
A final (for now) podcast episode before I head off on hiatus, this time discussing the idea of genre with author Ryan O’Neill.
Today was due to have been the sixth (sixth!) Bodies from the Library conference at the British Library but, for obvious reasons, it’s not. I can’t, alas, give you a whole day of GAD-based discussion, but I can at least fill an hour with someone from that line-up of exceptionally knowledgable people, Tony Medawar.