It’s been ten months since I last caught up with Jupiter Jones, Pete Crenshaw, and Bob Andrews, so how does new author Nick West — a nom de plume of Kin Platt — apply himself here, in the first of his two entries in The Three Investigators series?Continue reading
There is an argument to be made that genre fiction and sitcoms share a huge amount of DNA: we want them to be the same sort of thing from episode-to-episode or book-to-book, and yet within the repetition of ingredients that define the form we also want something new.Continue reading
With the death of series creator Robert Arthur after the eleventh book in the series, The Mystery of the Talking Skull (1969), the Three Investigators were passed into the hands of Dennis Lynds, under the William Arden nom de plume he had used for the tenth book in the series, The Mystery of the Moaning Cave (1968).Continue reading
Whatever happens to the series from here, it would be difficult to deny that creator Robert Arthur set Jupiter Jones, Pete Crenshaw, and Bob Andrews off to a magnificent start with his ten Three Investigators novels.Continue reading
As the current glut of Golden Age detective fiction reprints is making us all aware, copyrights can be a tricky thing. An author’s intellectual property is the characters and plots they create, and allowing others to have access to them is correctly something which is very closely guarded.
With a new school year about to start, and Peter F. Hamilton’s 1,152-page epic Pandora’s Star (2004) crushing the peak of Mount TBR, I’m going to take a break from blogging in September. But here’s one last trip with Jupe, Pete, and Bob before I go.
Thus far in my reading of the Alfred Hitchcock and the Three Investigators books, the clear pattern of The Odd-Numbered Ones Are the Good Ones has emerged…so how did this, the eighth title, fare?
The human mind is obsessed with patterns, because by spotting them we make sense of nature; be it the golden ratio in the seed spirals in the head of a sunflower, fluid dynamics in the formation of sand dunes, or the growing box office returns of successive Fast & Furious movies, patterns are hard to resist.