Josephine Tey

#1028: The Franchise Affair (1948) by Josephine Tey

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Franchise Affair

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The Franchise Affair (1948) was the first novel by Josephine Tey that I ever read, back in the roseate days of probably 2005. Several years later, with classic era crime and mystery fiction more my bag, I read the rest of Tey’s criminous oeuvre, but nothing quite came close to the sweetness of that first taste. And so this return visit to the eponymous gloomy house where a 15 year-old girl claims to have been held captive by the two women who reside there was undertaken slightly nervously — memory can play tricks, after all. Well, everyone relax; we can add this to The White Priory Murders (1934) and Green for Danger (1944) on the list of recent rereads I enjoyed even more second time around, and holy hell if it doesn’t seem to me now one of the most perfect little books I’ve ever encountered.

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#971: (Spooky) Little Fictions – Ghosts from the Library [ss] (2022) ed. Tony Medawar

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With the annual Bodies from the Library collections, which have brought long out-of-print stories of crime and detection back to public awareness, proving rightly popular, editor Tony Medawar turns his attention to another facet of genre fiction with the Ghosts from the Library (2022) collection, in which authors (mostly) better known for their stories of crime and detection have a go at generating some supernatural chills instead.

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In GAD We Trust – Episode 8: Uncovering Long-Forgotten Short Stories + Bodies from the Library 3 (2020) ed. Tony Medawar [w’ Tony Medawar]

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In GAD We Trust BftL3

Today was due to have been the sixth (sixth!) Bodies from the Library conference at the British Library but, for obvious reasons, it’s not.  I can’t, alas, give you a whole day of GAD-based discussion, but I can at least fill an hour with someone from that line-up of exceptionally knowledgable people, Tony Medawar.

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#286: A Conscious Regiment of Women? – The Queens of Crime™, Representation, and the Golden Age

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QoC

It is tremendously difficult to write about gender these days without appearing to be trying to sneak through some (usually unpleasant) agenda.  If anything in the following causes any reader jump to such a conclusion about my intentions, I urge that hypothetical reader to take a glance through any selection of posts on this site — all written by the author of what you’re reading now — to assure themselves that this in no way features in my plans.  I am simply, out of curiosity, asking a question that happens to involve gender.

And the question is this: Has Golden Age Detective fiction been subjected to a deliberate feminisation?  And, if so, to what end?

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#22: The Nine Wrong Answers – Popular Authors Who Fail to Impress

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Much like you – well, exactly like you, I’d imagine – there are authors I love and authors I don’t.  Almost as a counter-point to last week’s My Blog Name in Books, here is my list of nine ‘classic’ crime authors whose work I’m unlikely to ever touch again and – in some cases – whose continued popularity is, in all honesty, a complete mystery to me.  I cast no aspersions by this, it’s just interesting to throw some ideas around and get a sense of people’s tastes and preferences.

As ever, there are rules: they must be dead (I’m not one for trolling), I must have read at least four of their books (to give them a fair chance) and they must fall into my self-imposed 1920 to 1950 envelope.  Presented alphabetically by surname, too.

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#7: Five to Try – Golden Age crime fiction

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So I love my classic crime, we’ve established that, but where does this leave you?  After all, having someone go on about themselves all the time gets a bit boring.  You’re always saying that, aren’t you?  Sensible person that you are.  So, just for you – yes, you – here’s a list of five books I’d recommend if you’re thinking of getting started reading classsic crime fiction but are a little overwhelmed by all these books by dead authors (I feel the same about classical music, for what it’s worth).

My criteria are fairly simple: novels only, first published between 1920 and 1950, and widely available for purchase now.  It’s all very well having someone recommend the most amazing book ever, but if it was last in print in 1932 and only changes hands in book-fair back rooms for the kind of money that it takes to keep your kids in shoes for a decade…well, that’s just someone showing off, isn’t it.  Why share a love of something that can’t itself be shared?  The list is alphabetical by author, too, because that just seems sensible:

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