You’re doubtless aware of the superbly wide-ranging Golden Age-focussed Shedunnit podcast run by Caroline Crampton, and I was delighted to be asked to contribute to an episode about locked room mysteries and impossible crimes. The results are now online for your listening pleasure.
Nearly 3 months after being announced, running to 15 stories and 115,421 words, Ye Olde Book of Locked Room Conundrums is finished, and this post is here to announce that it’s ready for you to download for free!
And, yes, you read that correctly — all 15 of the original stories are included, thanks to a frankly amazing intervention by John Grant (he of the massively entertaining Noirish blog) who offered his help in sorting out the two stories I wasn’t going to have the time to get into shape…and then managed to do them in, like, zero seconds flat.
In what might actually be the first time I’ve contributed to a full month of TNB posts — woo! Mr. Commitment! — I thought I’d finish off with my first Five to Try in a little while on the subject of Crime in Costume. But, this being a blog about detective fiction, I thought I’d leave it up to you to deduce the theme inside of this framing which links all these books together.
The first person to correctly work it out gets…a prize of some sort. Tell you what, they’ll win a pre-publication copy of Ye Olde Book of Locked Room Conundrums, personally emailed to them by me. So as, y’know, to save them waiting an extra three or four days and having to click on a link to download it themselves. I know, I know, I’m too kind. Tell you what — to make it nice and unique, I’ll even add a bit to the introduction about how this was won in a competition on the blog. That makes it a bit more special, eh?
So, as established yesterday, there’s much more scope in Watson than there is in Holmes. The obvious question then becomes: So what do you do with this?
Take the simple cosmetic changes out of the equation — the casting of Lucy Liu as Dr. Joan Watson in the US series Elementary, for instance, easily one of the least disruptive changes it’s possible to get away with — and what you’re left with is the fact that Watson, being our entry into the Holmesiverse, is allowed to do anything that reflects the experience and perspective of the reader. As discussed yesterday, there are aspects of the character, the constants I referred to, that don’t become him — making him the proprietor of a burgeoning dog-walking business, or a respected scholar of nineteenth century Gothic poetry, or giving him a form of OCD which means he must always cross his legs in the opposite manner to Holmes unless it’s a Tuesday in which case…, etc — but let’s put this aside as given and look at the way certain authors have expanded on Watson without desecrating him beyond all recognition.
Lately I’ve read an unusually high concentration of Holmes pastiches — Caleb Carr’s The Italian Secretary (not good), Stephen King’s ‘A Doctor’s Case’ (not terrible), Colin Dexter’s ‘A Case of Mis-Identity’ (extremely good), Michael Kurland’s The Infernal Device (loadsa fun), Steve Hockensmith’s Holmes on the Range (fabulous) and a superb piece of unpublished fan fiction sent to me via email — and it’s made me realise that while Watson, and specifically the Watsonian voice, is vital in undertaking Holmes, no-one can quite agree what Watson is, how he should be written, and this makes him far and away the more interesting of the two men when it comes to analysis.
It being the ever-approaching end of the academic year, I’ve tended to focus on short stories for these Tuesday Night Bloggers posts on poison because I simply haven’t had the time to read more than one book a week, and I need to keep those for my Thursday reviews. So this week I thought I’d take on one of Dorothy L. Sayers’ short stories featuring her other sleuth, the purveyor of fine wines that is Mr. Montague Egg. This is another one taken from The Big Ol’ Black Lizard Book of Wowsa That’s a Lot of Stories Massive Gigantic Compendium of Impossible Crimes But for Some Reason They’ve Included A Huge Section of Surely the Most Anthologised Stories of All Time, and so once again it has an impossible element. Yes, I am nothing if not fond of playing to type.
I’m guilty of sedition here: this isn’t technically part of the Tuesday Night Bloggers – they’re looking at travel in classic crime this month – but rather my own delayed TNB post on John Dickson Carr from March before I was sidelined. But, y’know how it is, it’s the second one looking at Carr’s Sherlock Holmes stories and so I feel I should probably post it on a Tuesday if only for internal consistency…my apologies for any confusion (though I suppose I cam writing about a Carr trip…). Just look upon this as my Never Say Never Again.
I talked about the origin of these stories in my first post on this topic, so let’s get straight on with it: this story is built on the reference to a case “of Colonel Warburton’s madness” made at the start of ‘The Engineer’s Thumb’ and so it’s appropriate that it begins in much the same way: someone in distress seeks out Watson (then for his doctoring, now seemingly because he knows Holmes) and is thus ushered into the Great Presence. It’s here that the story plays its most interesting card, as Holmes is rather short with the unfortunate Cora Murray who has just had a Colonel Warburton seemingly shoot himself and his wife while locked together in his study in the house where they all reside: