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Even before the sad death of John Pugmire, who brought us much in the way of foreign language impossible crime novels through Locked Room International, Pushkin Vertigo had started some heavy lifting in supplying us with ingenious puzzle plots from the other side of the language barrier. They’re not all bangers, of course, but the commitment Pushkin have shown, and continue to show if the raft of upcoming titles on their slate is anything to go by, is heartening for those of us who love a complex problem rigorously exploited. And The Labyrinth House Murders (1988) by Yukito Ayatsuji, recently translated by the talented Ho-Ling Wong, is certainly that.
Shin Honkaku
#1166: And Birds of Foreign Tongue! – My Ten Favourite Locked Room International Titles
I was saddened to learn of the recent death of John Pugmire who, for the best part of the last 20 years, has been instrumental in bringing the works of foreign authors to Anglophone fans, latterly through his Locked Room International imprint.
Continue reading#1100: Death Within the Evil Eye (2019) by Masahiro Imamura [trans. Ho-Ling Wong 2022]

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“On the final two days of November, two men and two women shall perish in Magan…” — so sayeth the seer Sakimi, who has a fifty-year streak of being right about these things; thus, anyone in Magan would do well to clear out for the last two days of November. Just a shame that no-one told the nine people who have travelled to Magan at the end of November, some of them specifically to meet Sakimi, and that the message is only relayed as the sole bridge out of town goes up in flames. But, c’mon, prophecy belongs with zombies in the world of cheap and tawdry science fiction, so there’s no way that anyone is really at any risk….is there?
#1082: The Mill House Murders (1988) by Yukito Ayatsuji [trans. Ho-Ling Wong 2023]

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The Decagon House Murders (1987, tr. 2015), the excellent first book in Yukito Ayatsuji’s series featuring the bizarre architecture of Nakamura Seiji, was translated into English so long ago that I hadn’t even started blogging at the time. Follow-up The Mill House Murders (1988, tr. 2023) was, then, much anticipated, and, for this reader at least, doesn’t quite merit the wait. While relatively swift, and enjoyably inventive as we’ve come to expect from shin honkaku, there’s a cleverness lacking in a story whose telling is marred by some unusual writing to the extent that I ripped through this without ever really relaxing into it. Like Soji Shimada, Ayatsuji has written a brilliantly clever debut and then suffered from Difficult Second Novel Syndrome.
#1000: A Locked Room Library – One Hundred Recommended Books
In the back of my mind when I started The Invisible Event was the idea that exactly half of what I’d post about would feature impossible crimes, locked room mysteries, and/or miracle problems — and although this proportion started an irreversible slide after the first 500 or so posts, the impossible crime remains my first love.
Continue reading#918: The Life of Crime (2022) by Martin Edwards

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To me falls the honour of rounding off the blog tour for The Life of Crime (2022) by Martin Edwards, adding to the deserved praise it has already garnered elsewhere. This “personal journey through the genre’s past, with all the limitations and idiosyncrasies that implies” is a monumental achievement, encompassing the breadth and depth of a genre that is now a good couple of centuries old, and finding many nuggets to share about it along the way. And, since any study of a genre must inherently be about that genre to some extent, Edwards’ trump card here is to tell a story of crime writing that also sheds light on the need for such stories to exist in the first place.
#885: Death Among the Undead (2017) by Masahiro Imamura [trans. Ho-Ling Wong 2021]

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Fourteen years and two disappointing sequels after the fact, it might be difficult to believe just how wild people went for the Matt Reeves-directed monster movie Cloverfield (2008) when it was first released. And I was reminded of that film when reading Death Among the Undead (2017, tr. 2021) by Masahiro Imamura for two reasons: firstly because of the time taken in both to ground the upcoming fantastical elements in enjoyably relatable worlds, and secondly because I cannot help but feel, now as then, that the praise heaped on both might be slightly overdone.
In GAD We Trust – Episode 22: On Making a Good First Impression [w’ Sergio @ Tipping My Fedora + Brad @ AhSweetMysteryBlog]
After the interruption to the schedule of two weeks ago, here’s another In GAD We Trust podcast — and given the topic of ‘Making a Good First Impression’ it’s only fitting to welcome returning guests Sergio and Brad.
Continue reading#786: Lending the Key to the Locked Room (2002) by Tokuya Higashigawa [trans. Ho-Ling Wong 2020]

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The sixth translation of (shin) honkaku by Ho-Ling Wong under the auspices of Locked Room International, Lending the Key to the Locked Room (2002) is a paean to the glory days of the complex puzzle plots of the 1930s while oddly frugal in its own plotting and characterisation. Delightfully self-aware at times in a manner that (to my taste) never succumbs to the danger of outstaying its welcome, the savvy elements of this debut are undercut by issues elsewhere: a reliance on concidence, a tiny cast with very little to misdirect into, and the sheer amount of irrelevant information that carries you through.
In GAD We Trust – Episode 16: Modern Writers in the Golden Age Tradition [w’ Puzzle Doctor @ In Search of the Classic Mystery Novel]
Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss modern detective fiction, few are better-placed than Puzzle Doctor, a.k.a. Steve from In Search of the Classic Mystery Novel.
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