#157: The Tuesday Night Bloggers — A Background of History in The Red Widow Murders (1935) by Carter Dickson

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“The story of the Widow’s Room…begins in the month of August, and in the city of Paris, and in the year 1792.  It begins with the Terror, but it has not ended yet.”

Upon reflection, it’s fairly astounding that John Dickson Carr published novels for 20 years before finally writing his first ‘true’ historical tale with The Bride of Newgate in 1950.  Throughout so much of his early work there is a miasma of the past pushing through, and a revelling in the detail of such times that threatens to overload the present story as Carr seems far more interested in dumping as much detail as possible from, say, the French Revolution upon you so that the Weight of History can be added to the press of his peculiarly heady tales of mystery and imagination.

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#156: A Reminder — #Carr110 — One Month to Go!

carr-covers

Just a quick reminder that John Dickson Carr will be 110 on 30th November, so if anyone wishes to post anything Carr-related on that day I’ll collect everything in a summing up post here.  I’ll put up yet another reminder closer to the day itself, and if anyone wishes to contribute they can just leave a link in the comments somewhere and I’ll go around and sweep up as required.

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#149: The Tuesday Night Bloggers – A Plague of Flaming Phantoms…

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Gentle readers, you are witnessing peak blog efficiency: not only am I about to contribute another post to this month’s Tuesday Night Bloggers topic of Crime in Costume, I’m also going to contribute to the Crimes of the Century over at Past Offences which is going all 1907 this month, and I’m going to work in yet another plug for Ye Olde Book of Locked Room Conundrums (due out later this month, most likely).  If I can work out a way to cross another item of my Vintage Bingo Scavenger Hunt, too, I’ll probably have to retire out of sheer awesomeness.

And how am I going to do all this at once?  One word: ghosts.

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#148: So, Like, What Is an Impossible Crime or a Locked Room Mystery?

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Recent experiences of reading Darkness at Pemberley by T.H. White and What a Body! by Alan Green  — oh my days, I’ve only just noticed that they’re both named after colours… — have made me wonder on the above question.  See, both are listed here, on a compendium of the best ever locked room mysteries voted on by an international collection of people who know about this stuff, and both are listed here, on a rundown of the favourite locked room mysteries by resident blogosphere expert TomCat…yet personally, in the face of public opinion from such well-informed and respected sources, I’m reluctant to consider either of them as locked room mysteries.  Even taking my famously contrary nature out of the equation…what the hell?

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#144: The Corpse in the Waxworks, a.k.a. The Waxworks Murder (1932) by John Dickson Carr

corpse-in-the-waxworksThe penultimate case for John Dickson Carr’s first sleuth, Henri Bencolin, opens with a wonderful demonstration of the reputation which that juggernaut of justice enjoys among the less salubrious sections of French society: ‘Bencolin was not wearing his evening clothes, and so they knew that nobody was in danger.’  The palpable sense of relief this engenders in all who see him as he travels from tavern to tavern captures the character with a clarity that shows how much Carr grew as an author over his opening five books, and augurs well for the Fellian delights that would follow soon upon the heels of this as Carr hared his way up the detective fiction firmament and into history. And it sets the scene nicely for a deceptively complex little book that almost feels like a short story in its setup, but is wrought into something more by the expert pacing Carr has honed in the couple of short years since It Walks By Night (1930), showing here his emerging talent for taking a situation that many others would struggle to fill 20 pages with and making every nuance and moment of its 188 pages count.

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#142: John Dickson Carr is Going to be 110 – Call for Submissions!

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Wednesday 30th November 2016 will mark the 110th birthday of a certain Mr. John Dickson Carr, a detective novelist of some note of whom I am quite the fan.  Thus, in the grand tradition of Paul Halter Day earlier this year, I am putting out a two-month notice of intent: you are cordially invited to join me in posting something Carr-related on that day in celebration of him and his contribution to the genre.  It’s no secret that I think he’s the finest practitioner of detective fiction who ever lived, and it’s a bloody scandal that so much of his work is unavailable, so here’s a chance to co-ordinate some love for the man and his efforts.  It is no less than he is due.

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#127: ‘The Third Bullet’ and Other Stories [ss] (1954) by John Dickson Carr

Third BulletI haven’t reviewed (or read, come to that) a short story collection for a while, and it’s 1954 this month for Crimes of the Century at Past Offences meaning the time is ripe for a long-overdue (har-har) return to John Dickson Carr.  I had read a couple of the stories contained herein before, but the majority were new to me, and as ever it’s a delight to see Carr’s imagination wrangle with the shorter form.  Given how frequently stories of this ilk fail to conceal their workings and/or killer, it’s also great to see him do both over and over again with consummate ease, as if saying to his contemporaries “C’mon, guys, it’s simple –just do this“.  We’ll take them one at a time as is my usual approach with collections — and, yes, most of these were originally published before 1954 and so might be inadmissible.  Let’s just get on with it and an independent official enquiry can determine the eligibility of this at a later point.

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#114: Till Death Do Us Part (1944) by John Dickson Carr

Till Death Do Us PartPeople hold weird beliefs: that the moon landings have all been faked, for instance, or that the moon is hollow, or that the phases of the moon have anything at all to do with your love life or finances.  Some people might even hold weird beliefs not about the moon.  Here’s one: I firmly believe that for the remainder of human history there will never again be anyone who writes the detective novel as well as did John Dickson Carr at his peak.  When I eventually narrow my ten favourite detective novels of all time down to a list that is actually ten books long, there’s a real chance all ten of them will be by Carr.  And, I’ll tell you now, it will definitely feature The Problem of the Green Capsule, which in my current mood I consider to be the pinnacle of the form.

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