Five and a half years ago I tracked down and read an obscure novelette by long-forgotten British pulp writer James Ronald, which set me on the trail of his far-from-readily-available other works. This week, Moonstone Press published the first two in a series of reprints that will see Ronald’s entire criminous catalogue made available, and series editor Chris Verner is here to tell us all about it.
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A second foray into the first volume of the criminous work of James Ronald, which is being reprinted by Moonstone Press — much to my immense excitement.
Continue readingI wasn’t going to post on Tuesdays in December, but then Moonstone Press committed to republishing the crime and detective fiction of James Ronald, of whom I have been quite the fan for a few years now. And then they were generous enough to send me a copy of the first volume of tales, and, frankly, try and stop me writing about it.
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In the back of my mind when I started The Invisible Event was the idea that exactly half of what I’d post about would feature impossible crimes, locked room mysteries, and/or miracle problems — and although this proportion started an irreversible slide after the first 500 or so posts, the impossible crime remains my first love.
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Actress Cicely Foster, calling at the home of movie mogul Jacob Singerman to discuss a role in a ‘talkie’, is innocent enough to be shocked by his advances and fights him off, striking him on the head in the struggle before fleeing. When reporter Julian Mendoza, “the bloodhound of Fleet Street”, tracks her down and tells her that Singerman was found dead shortly after her departure, it looks bleak…but for the small matter of the corpse having been found with a bullet between his eyes.
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That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.
At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.
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On the back of the Reprint of the Year Award run by Kate at CrossExaminingCrime, I thought it might be interesting to see what those of us who submit titles for that undertaking would choose to bring back from the exile of being OOP.
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The Invisible Event 