#434: Locked Room International is 30 – My Favourite 15 Books

LRI Thirty

Some months ago, in our podcast The Men Who Explain Miracles, first myself and then Dan chose our fifteen favourite locked room novels of all time.  In celebration of Locked Room International recently putting out their thirtieth fiction title, I have done essentially the same again, this time choosing solely from their catalogue: effectively, my personal picks for the ‘top half’ of their output to date.

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#430: Minor Felonies – Arsenic for Tea, a.k.a. Poison is Not Polite (2015) by Robin Stevens

Arsenic for Tea

Most people who write and publish one novel go on to complete a second, yet the second is often the one deemed ‘difficult’.  I suppose it’s the not knowing whether a universe and characters previously deployed will stretch over another 100,000 words, or whether a writer used up all their good ideas on Book 1 and so Book 2 is likely to fall on drier ground.

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#420: Death Lights a Candle (1932) by Phoebe Atwood Taylor

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We’re back in Boston again this week, in another large house with murder insinuating its way among the denizens.  Everyone is snowed in when the death occurs, and so good-ol’-boy Asey Mayo must counter the cunning devilry of an ingenious and unscrupulous killer with his own brand of misleadingly languid style, plenty of homespun wisdom, and lot and lots of phonetic dialogue — in fact, this is the first time I’ve actively wondered whether an author was on some sort of pro rata arrangement for the number of times an apostrophe could be used where a letter would be equally good.  So that’s another benchmark reached, I guess.

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#418: Spoiler Warning 7 – Fog of Doubt, a.k.a. London Particular (1952) by Christianna Brand

spoiler-warning

As discussed previously, we are here today to find out how good I am at spotting clues and things in the detective novel London Particular, a.k.a. Fog of Doubt (1952) by Christianna Brand.  We’ll be doing this by examining my thoughts on a chapter-by-chapter basis and there will be spoilers.  Do not read futher if you wish to remain unspoiled.

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#408: Quick Curtain (1934) by Alan Melville

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In German there is schadenfreude, pleasure at the misfortune of others, which I believe is the intended response to Richard Hull’s Murder of My Aunt (1934).  I’m sorry to say that in reading it I experienced more the Spanish vergüenza ajena, that toe-curling horror of watching someone make a prat of themselves, and not in any sort of a good way.  But in order to (hopefully) prove that I’m not a humourless prig I’ve opted for another light, funny mystery with Alan Melville’s Quick Curtain (1934), having enjoyed but not really retained much of the similarly-republished Death of Anton (1936) from the British Library.

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#394: The D.A. Goes to Trial (1940) by Erle Stanley Gardner

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I maintain that the Doug Selby novels of Erle Stanley Gardner stand as probably his best work, and only the genius of Raymond Burr, that awesome theme music, and the fact that the Perry Mason novels outnumber the Selby ones by a mind-blowing 9:1 ratio have led to the relative obscurity of this better series.  “What about the Cool and Lam books?” you want to know?  Well, as soon as I’m done with Selby I’m going to go and read all 30 of those in order, too, because probably two-thirds of them eluded me back when I started reading Gardner and so there are plenty of gaps to fill.  So officially the jury is still out, but the Selby books remain fabulous nonetheless.

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#393: Minor Felonies – Murder Most Unladylike, a.k.a. Murder is Bad Manners (2014) by Robin Stevens

Murder Most Unladylike

It’s nearly 12 months since, at the Bodies from the Library conference in 2017, Dan casually mentioned that one of the Murder Most Unladylike books by Robin Stevens was a locked room mystery and so started me on a mildly-obsessive YA spiral that has taken in the detective talents of Enid Blyton, the beginning phases of Alfred Hitchcock and the Three Investigators, a selection of classic and modern juvenile mysteries, and, of course, an interview with Robin Stevens herself at the beginning of our podcast adventure.

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#388: Inspector French and the Cheyne Mystery (1926) by Freeman Wills Crofts

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I wasn’t sure I wanted to dive into another complex alibi problem so soon after Cut Throat (1932) by Christopher Bush.  But if anyone can convince me of the joys of alibi-breaking it’s Freeman Wills Crofts, and so off I went in hope of some fiendish minutiae to get the brain cogitating with possibilities.  As it happens, I need not have worried — there is no complex alibi-breaking here.  Sure, there’s a grand mix of ratiocination and weighing the odds on the way to intelligent deductive work, but this is decidedly a ‘wrong man on the run’-style thriller before it’s a novel of routine.  Were pithiness my forte, I’d probably make an ‘Alfred Hitchcrofts’ reference.

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