In my online book club, discussion turns from time to time to our favourite GAD novels of a particular decade. Having done the 1930s and the 1940s, we turned to the 1920s. And, since there’s an expectation of Agatha Christie being in the mix when discussing favourite GAD titles, I thought I’d return to what I remember to be my favourite from her first decade, The Seven Dials Mystery (1929).
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I recently lamented that I don’t really do much in the way of think-pieces on The Invisible Event any more, and some of you in the comments were like ‘Yeah, so do them again, then, idiot’. So here goes.
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I first encountered James Yaffe via his story ‘The Problem of the Emperor’s Mushrooms’ (1945), but have heard much about his ‘Mom’ stories, in which a police officer’s mother “is usually able to solve over the dinner table crimes that keep the police running around in circles for weeks”. So I was delighted to acquire the complete collection of those tales.
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You don’t write as much as Edward D. Hoch without hitting the bull’s-eye a few times, so I’m finally doing what I should have done all along and starting the Dr. Sam Hawthorne series from the beginning, with this first collection, Diagnosis: Impossible (2000), a tranche of 12 stories initially published in Ellery Queen Mystery Magazine between 1974 and 1978.
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I’m not entirely sure where Casual Slaughters (1935) by James Quince first came to my attention, but it might have been this list of 150 largely very good detective novels, compiled by Curtis Evans back in 2010. And since Curtis and I recently agreed about The Dead Man’s Knock (1958) by John Dickson Carr, and since Oreon Books recently reprinted Casual Slaughters and I bought a copy while visiting at the excellent Bodies in the Bookshop in Cambridge, well, the time seemed ripe to pull it out of my TBR to see how I fare. And, as if I needed more convincing, Quince’s title is from Hamlet, this blog takes its name from Hamlet…seriously, could the universe be aligning more?
I have been known to be something of an impatient reader. In the first half of this decade, I read 713 books — an average of 2.74 a week — all while maintaining the physique of a Greek god, fighting crime at night dressed as a badger, holding down a full time job as a lawyer for the downtrodden, and winning the last six series of Mastermind in a raft of ingenious disguises.
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In my very first post on this blog I shared the belief that G.K. Chesterton’s writing is “too verbose”, and I’ll confess that I’ve found him hard to enjoy in the past. But reading some stories with Countdown John got me thinking that maybe I could suffer to give him another go, and so here, eventually, we are.
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Last year my book club picked our favourite 1930s mysteries, and earlier this year we moved on a decade and each selected a top 10 for the 1940s. So, well, here’s mine.
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The first of (so far…) two volumes of William Brittain’s short fiction from Crippen & Landru, The Man Who Read Mysteries (2018) contains the eleven stories written under the non-series ‘The X Who Read [Author Name]’ titles and seven selections from editor Josh Pachter of the tales featuring crime-solving high school science teacher Leonard Strang.
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A posthumous collection occasionally wrong billed as “Twenty-six stories featuring Gervase Fen” (there should really be, at least, a comma after ‘stories’, since series detective Fen isn’t in all of them), Fen Country (1979) was, I believe, the first collection of Edmund Crispin’s short fiction I read. And now I’m back, to get some thoughts on record.
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The Invisible Event 