#589: Reflections on Detection – The Knox Decalogue: An Introduction

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It may surprise you to learn that I think about the Knox Decalogue a lot.  But, like, a lot a lot, “maybe I should write a lecture on the Knox Decalogue and tout it round the various crime conventions” a lot.  Instead, because I work full time and am nowhere near famous enough for that to be an option, I’m going to go through the rules one at a time and share some thoughts on here.

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#587: As If by Magic (2009) by Dolores Gordon-Smith

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Disorientated, drenched, and on the verge of a fever, George Lassiter wanders the streets of London until attracted to a particular house which he breaks into in order to warm himself by the fire.  While he is waiting in the darkness and warmth, three people enter, one of them apparently drops dead on the spot, and Lassiter beats a hasty retreat before being caught by a local bobby.  Upon telling his story, the house is investigated and no sign of a body is found, so Lassiter is carted away to the local hospital.  And when Lassiter’s friend, part-time sleuth and general man-about-town Jack Haldean, hears of his predicament, it’s the beginning of a complex and dangerous skein.

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#584: Inspector French and the Starvel Hollow Tragedy (1927) by Freeman Wills Crofts

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As his seventh published novel, Inspector French and the Starvel Hollow Tragedy (1927) shows Freeman Wills Crofts again subtly altering his approach to take us through the minutiae of crime and detection, introducing a structural change which addresses the issue of “whodunnit” that these early GAD trendsetters sometimes struggled with.  While you may well be aware of the guilty party from about chapter 4, rest assured that Inspector Joseph French eventually cottons onto his target at around the halfway stage, and the final third of the book is then devoted to tracing the criminal.  And a lot of fun is to be had along the way.

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#581: The Wrong Letter (1926) by Walter S. Masterman

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I very nearly paid a king’s ransom for a secondhand copy of Walter S. Masterman’s debut The Wrong Letter (1926) a couple of years ago, since it was rare as rocking-horse teeth (wait, those are not rare…) and featured on Roland Lacourbe’s “100 Books for a Locked Room Library” list (or, well, the supplemental list of fourteen supposedly excellent impossible crime novels for which there were no French translations, at least).  Then, in 2018, Ramble House made it easily available for much more sensible money, and here we are.  More power to their elbow, frankly, as this is the strongest Masterman I’ve read, and has encouraged me to not write him off just yet.

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