
#578: She Died a Lady (1943) by Carter Dickson






Firstly, good heavens the excitement of posting a John Dickson Carr review without then tagging it OOP — Polygon Books have Hag’s Nook (1933), The Case of the Constant Suicides (1941), and She Died a Lady (1943) in their stable, and the British Library and Otto Penzler have added more, with more to come. And after last week’s brilliant and baffling no-footprints murder in a lonely corner of England, and with my broadly chronological reading of Carr’s work bringing She Died a Lady back into my orbit, the stars seemed to be aligning on a reassessment of this, probably the most consistent contender for Best Carr Novel of All Time.
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#577: Minor Felonies – The Mystery of the Spiteful Letters (1946) by Enid Blyton

In the most recent episode of our podcast, I mentioned how Agatha Christie’s The Moving Finger (1942) was the book which made me appreciate how threatening a poison pen campaign could actually be. And four years after Christie used the conceit to drive a town mad, surprise Crime Writers’ Association member Enid Blyton made it the background for some childhood japes. What fun!
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#576: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #12: Endgame (2019) by Daniel Cole

I started, but did not finish, Daniel Cole’s debut novel Ragdoll (2017), which seemed to me a gruesome hook followed by a lot of meandering prose. Endgame (2019), his third novel, promised me a dead body in a locked room and so, since I’m reluctant to write off anyone after just one book, here we are.
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#575: The Gold Watch (2019) by Paul Halter [trans. John Pugmire 2019]






Similar to how Alfred Hitchcock’s two version of The Man Who Knew Too Much (1934/1956) use the same core ideas but differ in details, the motifs Paul Halter returns to in The Gold Watch (2019, tr. 2019) — the dual time period narratives of The Picture from the Past (1995, tr. 2014), a baffling no footprints murder at an isolated house a la The Lord of Misrule (1994, tr. 2006), the invocation of The King in Yellow from ‘The Yellow Book’ (2017, tr. 2017) — there’s no doubt this is a very different style of story simply using familiar ideas to very new ends. Strange to say this of a Frenchman, but this is perhaps the outright Frenchest work of his yet translated.
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#574: Minor Felonies – High-Rise Mystery (2019) by Sharna Jackson

Right, let’s get back into blogging things. This week, three very different novels published this year, beginning with High-Rise Mystery (2019), the debut fictional work of Sharna Jackson.
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#573: Lamentings Heard i’th’Air in The Mystery of the Screaming Clock (1968) by Robert Arthur

With a new school year about to start, and Peter F. Hamilton’s 1,152-page epic Pandora’s Star (2004) crushing the peak of Mount TBR, I’m going to take a break from blogging in September. But here’s one last trip with Jupe, Pete, and Bob before I go.
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#572: Death in Silhouette (1950) by John Russell Fearn






Part of the fun of this blogging collective with its focus primarily on classic style mysteries is seeing the individual enthusiasms of bloggers and commenters alike assert themselves. To pick just three, I’ve turned into quite the most unexpected fan of Freeman Wills Crofts, Puzzle Doctor is soon to convert us all to the joys of Brian Flynn, and TomCat has derived great pleasure from the works of John Russell Fearn. And it’s nice to share in a joy with someone, so through an uncertain combination of runic alchemy and liturgical dance, I ended up at the conclusion that Death in Silhouette (1950) would be the next Fearn for me to try, and here we are.
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#571: Adventures in Self-Publishing – Skeletons (2018) by Robert Innes

Welcome to Harmschapel, where people are shot while alone in locked rooms, murderers walk on water, men drown while trapped in a lift, and now it seems people return from the dead. Also, there’s Scrabble at the pub on a Thursday evening.
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#570: Squaring the Circle – Suspects, the Other, and the Difficulties Faced by Crime Fiction
