Reviews
Sometimes I think it is possible to become jaded from reading too much of the same type of book. I signed up to this GAD blogging lark on my own initiative, and it’s the genre I prefer to read, but the need to get in at least one, and ideally two, a week to meet my own self-imposed deadlines can lead at times to a little disaffection creeping in. Thankfully, via the exemplary work of Fender Tucker’s Ramble House imprint, I have discovered the books of Norman Berrow, and so if my will be wandering I have the option of returning to the lightness and joy of his entertaining milieu. He’s not a plotter par excellence, but I find these books fun in a way that obviates my usual requirements in this direction. Prose before pose, dudes.#265: The Big ‘Fore!’ – Classic GAD Allusions in Stableford on Golf (2010) by Rob Reef [trans. Alan Gross 2013]
What the hell? This blog — preserve of the expired author, occupying as it does a dusty corner of the interwebs free from contemporary scrutiny — has now featured two living authors on consecutive weekends. Clearly I’m courting popularity. Next thing you know, there’ll be a guest post by Ed Sheeran [please note: I have no reason to believe a guest post by Ed Sheeran to be forthcoming]. And this one isn’t even an impossible crime. Where does this road lead? Rave reviews of Cozy Baking Mysteries? Who even am I any more?
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#264: Death in the Dark (1930) by Stacey Bishop
“There is no suspense in a bang,” said Alfred Hitchcock, “only in the anticipation of it.” This applies to Stacey Bishop’s sole detective novel because, well, it wasn’t a book a sizeable proportion of GAD readers were aware even existed until Locked Room International conjured this reprint fittingly out of the ether — when John Norris at Pretty Sinister hasn’t read it, you know it’s rare. As such, the gleeful anticipation of its release was undercut somewhat by the fact that we hadn’t even heard of it, and so there’s no weight of expectation: we are free, in this connected age of everything being on demand and everything being remembered, to come into this entirely without preconceptions.
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#263: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #2: First Class Murder (2015) by Robin Stevens
Last week, I was moved to reflect 
At some point between 1940 and 1960, puzzle-oriented detective fiction began an inexorable shift into what has now become know as crime fiction, wherein plot machinations took a back seat and character, setting, and ambience became more prevalent. Where detective fiction was mostly interested in the fiendish puzzle, crime fiction was more about the challenge to the status quo, and the effect this has on the people involved. And Wilders Walk Away, Herbert Brean’s debut novel, might just be the perfect peak between the two, because I do not remember having read a puzzle that was so intricately invested in the status quo. What emerges is necessarily a little confused about what it wants to be.
Stage magic and Golden Age detection go hand-in-hand: we go in knowing we’re being fooled in both cases, but there’s little more enjoyable than seeing it done well. Clayton Rawson and Hake Talbot were professional-level magicians who turned their minds to the dark arts of fictional (as far as we know…) murder and crafted some wonderful stories in doing so, and the name Bruce Elliott can also be added to the magician/detection-writer set with this country house mystery that benefits from his magical background by stirring in an impossible crime. This is yet another book that’s 
