Years ago, as a younger and callower man, I swore that the only Sherlock Holmes stories I would read were those written by Arthur Conan Doyle. Then I became a John Dickson Carr fan, and it’s been a slippery slope ever since.
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I first encountered the work of Robert Barr in the superb Penguin Book of Gaslight Crime [ss] (2009), and when Countdown John offered to lend me The Triumphs of Eugène Valmont (1906) — one of the Haycraft-Queen Cornerstones, no less — to continue my education, I leapt at the chance.
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I was saddened to learn of the recent death of John Pugmire who, for the best part of the last 20 years, has been instrumental in bringing the works of foreign authors to Anglophone fans, latterly through his Locked Room International imprint.
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Having previously looked at the first ten stories in this collection of impossible crime tales selected by Jack Adrian and Robert Adey, let’s crack on with the final eleven stories, shall we?
Continue readingIn a bizarre turn of events, I have no memory of acquiring the much-sought-after anthology The Art of the Impossible, a.k.a. Murder Impossible (1990) edited by the legendary pairing of Jack Adrian and Robert Adey. And yet I do have a copy. So let’s worry about my leaky memory later, and instead pick through some classic impossible crimes selected by two of the most knowledgeable men in the business, eh?
Continue readingI’ve been moved of late to give some thought as to what my favourite examples of my favourite subgenre of detective fiction could possibly be. And I’m finally willing to commit — so here are, for today at least, my ten favourite impossible crimes in fiction.
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I’m reviewing this out of order, because it’s been a busy week and so I’ve not had time to read the 180-page novella which comes next in this collection, but a 12-page short story…yeah, I’ve been able to fit that in.
Continue readingA second foray into the first volume of the criminous work of James Ronald, which is being reprinted by Moonstone Press — much to my immense excitement.
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I have a particular fascination with the Knox Decalogue, the list of ‘rules’ for the writing of good detective fiction as complied by Ronald Knox in 1929. It fascinates me for many reasons, not least the way it has been misrepresented down the years and its clear-sighted common sense taken as narrowness by many people who fail to appreciate the genre understanding contained within.
Continue readingI wasn’t going to post on Tuesdays in December, but then Moonstone Press committed to republishing the crime and detective fiction of James Ronald, of whom I have been quite the fan for a few years now. And then they were generous enough to send me a copy of the first volume of tales, and, frankly, try and stop me writing about it.
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