Seventeen scenarios of skulduggery, stealing, and slaughter in the British Library Crime Classics range, all centred on London, the finest city on god’s green Earth, and selected by the ne plus ultra of classic crime appreciation, Martin Edwards.
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Once again, now for a third time, I have been misled by these House of Stratus editions about the nature of a book by R. Austin Freeman. The cover of When Rogue’s Fall Out, a.k.a. Dr. Thorndyke’s Discovery (1932) promises “Three Books in One, starring Dr. Thorndyke”, leading me to surmise that these were three novellas. Not so. As it happens, Book 1 – The Three Rogues, Book 2 – Inspector Badger Deceased, and Book 3 – The Missing Collector are simply parts of one novel-length story, and I approached the end of The Three Rogues very confused about the apparent lack of impending conclusion and the distinct absence of Thorndyke from its pages.
One sympathises with Martin Edwards when he says that he found the style of the opening pages of Pontifex, Son and Thorndyke (1931), the nineteenth book and thirteenth novel by R. Austin Freeman to feature medical jurist Dr. John Evelyn Thorndyke, “off-putting”. I am an avowed Freeman fan, this being the 19th book by him I have read, and I nearly quit on page 2. But if you persevere, dear reader, you’ll find an interesting story with some very, very good detection indeed that definitely improves once Freeman curbs his initial pomposity…though the book as a whole does suffer slightly from an absence of content to fill out the closing few chapters
On 18th August 2025, The Invisible Event will have been running for ten years. And while I’m not a big one for introspection — I read books, I write about those books, some people read what I’ve written, rinse, repeat — a decade feels like a notable achievement and so some introspection is going to be had, for today at least.
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You have to buy the whole book of A Certain Dr. Thorndyke (1927), the tenth novel featuring R. Austin Freeman’s eponymous, esteemed medical jurist, but I’d advise only reading half of it. Rather like final Sherlock Holmes novel The Valley of Fear (1915) by Arthur Conan Doyle, the story here is split into two parts, one of criminous shenanigans and one of tedious backstory — though Freeman’s backstory comes first — and, even then, the crime and its investigation are only just about interesting to hold the attention. Mostly this smells of an idea Freeman couldn’t let go that should have been at best a novella, but which finds itself beefed up so that he could fulfil a clause in a contract. He does so enthusiastically, but it’s not a good read.
The last time I read a book by Richard Austin Freeman, my House of Stratus edition told me it was a collection of short stories only for it to turn out to be a novel. So it’s fitting that my next encounter with Dr. John Thorndyke should reverse the situation and what is pitched on the back cover as a novel turn out to be a collection of short stories.
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I picked my ten favourite crime and detective novels published in the 1930s a little while ago for my online book club, but I only do a Ten Favourite… list every four months or so and thus am only just getting round to writing it up now. I am so late to the party that it might as well never have happened, but I ironed a shirt specially so, dammit, I’m going to dance. Or something.
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Far from the short story collection my House of Stratus edition pictured here promises on the back cover, The Shadow of the Wolf (1925) is the eighth novel to feature R. Austin Freeman’s “medico-legal hermaphrodite” Dr. John Thorndyke and an inverted mystery to boot — a particular delight to discover, because I’ve been giving this form of detective story a lot of thought lately. And so when Varney — I don’t think we ever learn his first name — murders Dan Purcell on a boat in the opening chapter and begins to put in place that which makes it seem the dead man has fled of his own accord, I was even more delighted than I usually am at the start of a Thorndyke tale.
Late one night, Dr. John Strangeways is summoned to tend to a woman who has clearly been strangled. Deeply unsettled by the odd encounter, he has cause to remember one of the men who was at that scene when chance brings them together in Rochester a year later. The man in question, in possession of a wicked-looking knife, does not remember the doctor, however, and Strangeways, new in town and on his way to look over a recently-vacated surgery, is relieved to be unable to help when the man asks for directions to the residence of Mrs. Frood. Deciding to take the practice on, Strangeways is in due course introduced to his landlady, and comes face to face with the strangled woman of a year before. Her name? Mrs. Angelina Frood.
Seven stories featuring Dr. John Evelyn Thorndyke, medical jurist extraordinaire and one of my very, very favourite detectives from the genre’s Golden Age.
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The Invisible Event 