The last time I read a book by Richard Austin Freeman, my House of Stratus edition told me it was a collection of short stories only for it to turn out to be a novel. So it’s fitting that my next encounter with Dr. John Thorndyke should reverse the situation and what is pitched on the back cover as a novel turn out to be a collection of short stories.
Continue readingR. Austin Freeman
#1244: To Take a Backward Look – My Ten Favourite Mysteries of the 1930s
I picked my ten favourite crime and detective novels published in the 1930s a little while ago for my online book club, but I only do a Ten Favourite… list every four months or so and thus am only just getting round to writing it up now. I am so late to the party that it might as well never have happened, but I ironed a shirt specially so, dammit, I’m going to dance. Or something.
Continue reading#1224: The Shadow of the Wolf (1925) by R. Austin Freeman

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Far from the short story collection my House of Stratus edition pictured here promises on the back cover, The Shadow of the Wolf (1925) is the eighth novel to feature R. Austin Freeman’s “medico-legal hermaphrodite” Dr. John Thorndyke and an inverted mystery to boot — a particular delight to discover, because I’ve been giving this form of detective story a lot of thought lately. And so when Varney — I don’t think we ever learn his first name — murders Dan Purcell on a boat in the opening chapter and begins to put in place that which makes it seem the dead man has fled of his own accord, I was even more delighted than I usually am at the start of a Thorndyke tale.
#1178: The Mystery of Angelina Frood (1924) by R. Austin Freeman

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Late one night, Dr. John Strangeways is summoned to tend to a woman who has clearly been strangled. Deeply unsettled by the odd encounter, he has cause to remember one of the men who was at that scene when chance brings them together in Rochester a year later. The man in question, in possession of a wicked-looking knife, does not remember the doctor, however, and Strangeways, new in town and on his way to look over a recently-vacated surgery, is relieved to be unable to help when the man asks for directions to the residence of Mrs. Frood. Deciding to take the practice on, Strangeways is in due course introduced to his landlady, and comes face to face with the strangled woman of a year before. Her name? Mrs. Angelina Frood.
#1110: “Is there anything that leads you to connect this man with the crime?” – Dr. Thorndyke’s Casebook, a.k.a. The Blue Scarab [ss] (1923) by R. Austin Freeman
Seven stories featuring Dr. John Evelyn Thorndyke, medical jurist extraordinaire and one of my very, very favourite detectives from the genre’s Golden Age.
Continue reading#1079: The Cat’s Eye (1923) by R. Austin Freeman

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“Follow him! Don’t let him escape! He has just committed a dreadful murder!” — thus is Robert Anstey exhorted into chasing after a man he interrupts assaulting a woman on Hampstead Heath. Failing to catch his quarry, Anstey retraces his steps and discovers that Andrew Drayton, collector of knick-knacks, has indeed been shot dead in his home where Winifred Blake, the assaulted woman, had an appointment to meet him that evening. Even more curious, all Drayton’s acquisitions were well-known to be essentially valueless, so why have his gewgaws been ransacked, and what could he possibly have had amongst them that was worth killing for? Enter Dr. John Evelyn Thorndyke.
#1044: To Foe of Theirs I’m Deadly Foe… – My Ten Favourite Literary Detectives
Perhaps April Fool’s Day isn’t the best scheduling of this post, but the recent experience of dragging my way through Helen Vardon’s Confession (1922) by R. Austin Freeman got me thinking about the literary detectives I’d follow to hell and back, and I figured that it might be worth expanding upon.
Continue reading#1043: Helen Vardon’s Confession (1922) by R. Austin Freeman

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I’ll be honest, I’ve been kind of dreading this. A glance across the spines of the Dr. John Thorndyke novels and short story collections by R. Austin Freeman reveals Helen Vardon’s Confession (1922) to be his longest book by a factor of about 50%, yet Nick Fuller — who directed me so some excellent Thorndyke novels when I was new to author and character both — considers it perhaps Freeman’s worst offering. And having now read it, I can see its many problems, not least of which is a short story’s worth of criminous endeavour hiding in a 130,000 word novel that takes in too many loose ideas to warrant its tedious length. This was…not fun to read.
#934: “It was surprising what a change the last minute or two had wrought…” – The Great Portrait Mystery [ss] (1918) by R. Austin Freeman
The short story collection The Great Portrait Mystery (1918) occupies an odd position in the oeuvre of R. Austin Freeman. Five of the seven stories herein have almost nothing to do with each other — tonally, thematically, genre-wise — and the other two are inverted tales of detection featuring his famous medical jurist character Dr. John Evelyn Thorndyke. So were Freeman’s publishers simply fancying up some of his B-material by including a couple of Thorndyke tales to draw otherwise-uninterested readers to this collection? Let’s find out.
Continue reading#894: A Silent Witness (1914) by R. Austin Freeman

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Sheltering from the rain while out for a walk in north London one September evening, trainee doctor Humphrey Jardine happens upon the body of a dead man, only for the corpse to have vanished by the time he is able to bring the police to the location. Before long, a discovery at the scene of this vanishing, a chance encounter with the comely Miss Sylvia Vyne, a suspicious clergyman, and the death of an elderly patient just as Jardine is about to act as locum tenens for another doctor’s practice will combine with this mobile corpse to make quite the most “astounding sequence” in young Jardine’s life, changing it forever.




