John Pugmire
#319: A Call to Arms – ‘The Running Dead’ (1985) by Soji Shimada [trans. Ho-Ling Wong & John Pugmire 2017]

Given that an overwhelming majority of modern crime writing really isn’t my thing, it’s always lovely to see Ellery Queen’s Mystery Magazine publish some short fiction for me to get excited about, like a new Paul Halter story or, as in the current November/December 2017 issue, something from Japanese master Soji Shimada (I’ll Westernise his name herein, since that’s what I’ve done previously).
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#307: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – Week 5
Here we are at the final week of Locked Room International’s The Realm of the Impossible, with me working through in non-anthologised order to instead group them culture-by-culture.
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#306: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – The Real Life Impossibilities
This coming Tuesday sees the final instalment in my month-long look at Locked Room International’s multi-national impossible crime short story collection, and I thought I’d take this opportunity to address an oversight Puzzle Doctor, TomCat, and I have all been guilty of: the 12 real-life cases also contained within.
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#304: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – Week 4

You know the drill by now, and if not, where have you been? Locked Room International put out this 430-page collection of obscureness and rarities in impossible crime fiction from the world over, and I’ve been going through it sort of continent-by-continent (not really, though, it’s much looser than that).
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#301: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – Week 3
The world tour that is Locked Room International’s newest impossible crime story collection continues, with me picking out stories by their approximate geographical groupings to explore the themes they raise. Elsewhere we have:
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#299: The Realm of the Impossible [ss] (2017) eds. John Pugmire and Brian Skupin – Week 2





Reader, brace yourself for a shock: I — the man who curated