We’ve all been there, eh? One minute you’re imagining violent and fitting deaths for all the people who demean and annoy you on a daily basis, and the next those very same people are dying in front of you while you’re powerless to help. What? You’ve…not been there? Oh.
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Having previously poked their tongue into their cheeks with Your Guide to Not Getting Murdered in a Quaint English Village (2021), Maureen Johnson and illustrator Jay Cooper turn their minds to committing crimes rather than evading them with The Creeping Hand Murder (2025). I have Brad to thank for bringing this to my attention, and, having recently held forth on the hiding of clues, it seemed the perfect opportunity to look at the inevitable use of the visual to communicate that which would be far more obvious, or difficult to convey subtly, in prose.
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It’s fairly incredible to me that I have a copy of The Sealed Room Murder (1934), originally published by James Ronald under his Michael Crombie nom de plume, at all. Only the recent efforts of Chris Verner and Moonstone Press to bring Ronald’s criminous oeuvre back into print for sensible money have made this and others available to fans like me without endless connections and deep pockets, and I remain extremely grateful for their undertaking. The book, then, delivers largely what one has been able to come to expect from Ronald’s earlier, pulp-adjacent writing, with much thrill and little substance: fun, but not worth the sorts of money previously requested online.
Back in 2020 I read and largely enjoyed Jamie Probin’s novel The Thirteenth Apostle (2020) and the short story ‘The Episode of the Nine Monets’ (2020). The first was admittedly rather prolix, but it showed great promise and I’ve kept an eye out for his work ever since.
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After five novels of seemingly impossible crimes explained away with seemingly inexhaustible ingenuity, James Scott Byrnside tackles the far harder shorter form in his latest book, It’s About Impossible Crime (2025), which gives us five stories featuring his most frequent protagonists, Chicago P.I.s Rowan Manory and Walter Williams.
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A nice bit of crossover here, with a juvenile mystery that’s also a self-published impossible crime novel easing the transition from Minor Felonies this month to another batch of Adventures in Self-Publishing in November.
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Seventeen scenarios of skulduggery, stealing, and slaughter in the British Library Crime Classics range, all centred on London, the finest city on god’s green Earth, and selected by the ne plus ultra of classic crime appreciation, Martin Edwards.
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For the restraint alone in not calling this dog-as-detective story an ‘im-paw-sible crime’, this 14th entry in the Sebastian (Super Sleuth) series by Mary Blount Christian deserves checking out.
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While I wasn’t entirely sure what the focus of this blog would be when I started it — I knew there would be impossible crimes, but had no idea otherwise — I’d have been surprised if you told me I’d end up doing so much reading of and writing about mysteries for 9 to 12 year-olds.
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Having fared wonderfully with Enid Blyton’s Five Find-Outers (and Dog), and faring as I am less well with the first three so-called ‘R’ Mysteries I’ve read so far, I was intrigued to see mentioned online that one of the Secret Seven novels was more of a clue-based mystery than its brethren…and so to the appropriately(?)-named Secret Seven Mystery (1957) does my attention turn.
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The Invisible Event 