In the same year that Agatha Christie mixed sight-seeing and shipboard slaughter in Death on the Nile (1937), Freeman Wills Crofts sent his series detective, Chief Inspector Joseph French, into bat with a similarly travelogue-rich tale of marine-centric malfeasance. Found Floating (1937) might, in many ways, be seen as Crofts’ take on the essential principles of a Christie plot, even if it does highlight many of the reasons Dame Agatha has remained in the public consciousness while Crofts is only now enjoying a resurgence in awareness and popularity. Indeed, for a man who made hay in the annals of the realistic detective story, this might be his most successful brush with verisimilitude yet.

Today sees the republication of Found Floating (1937), the twentieth of Freeman Wills Crofts’ novels and the sixteenth to feature (Chief) Inspector Joseph French, the first of eight reprints due between now and January 2023. And so let us turn our attention to Man Overboard, a.k.a. Cold-Blooded Murder (1936) — the fifteenth French novel and final entry in the last set of Crofts reprints — in which a man gets on a ferry in Belfast and is no longer aboard when it arrives in Liverpool…so what happened to him between those two points? Alas, in answering that question Crofts has written what is for me his first dud in 19 books.

Hector Macdonald’s excellent thriller The Storm Prophet (2007) was the first book to ever make me consider the terror of being trapped aboard a sinking boat in the open sea.  15 years later, the opening chapters of The Loss of the Jane Vosper (1936) by Freeman Wills Crofts, in which the eponymous freighter is shaken by mysterious explosions and must be abandoned, brought those anxieties back, despite the calm competence of her crew and some surprisingly elegiac imagery (“[the lifeboats] turned with one consent and began rowing with her, determined to see the end…Not a man but was heartily thankful to be out of her, and yet she was their home.”).