Christianna Brand
In GAD We Trust – Episode 6: Detective Fiction is Comedy [w’ Alasdair Beckett-King]
It’s long been a tenet of mine that detective fiction and comedy have a great deal in common, and to pursue that this week via the medium of podcasting I’ve enlisted the help of comedian Alasdair Beckett-King.
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#563: The Rose in Darkness (1979) by Christianna Brand
I don’t think I’ve ever disliked the cast of a novel as much as I disliked the core group of The Rose in Darkness (1979) by Christianna Brand. Goddamn, what a bunch of self-centred, self-congratulatory, self-satisfied, smug, pretentious, vacuous, condescending, poseur, low-rent hipster prigs. You say ‘bohemian’, I say ‘unbearable’ — were people really like this in the Seventies? And, because Brand does her usual thing of telling you up front that there’s one victim and one killer, you know that once the body turns up you’re stuck with the rest of them until the end. Good heavens, there’s never a serial killer around when you need one.
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#553: Little Fictions – Curiosities from Adey: ‘Murder Game’, a.k.a. ‘The Gemminy Crickets Case’ (1968) and ‘Upon Reflection’ (1977) by Christianna Brand
It’s undeniable that I have a slightly unusual relationship with some accepted classic GAD authors and do not necessarily always line up with the accepted wisdom where, say, Ngaio Marsh, Gladys Mitchell, Ellery Queen, and Dorothy L. Sayers are concerned.
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#546: The 10 Types of Impossible Crime – Categories and Titles from Our Talk at Bodies from the Library 2019
After being on something of an enforced hiatus for a little while, The Men Who Explain Miracles, the occasional podcast run by Dan from The Reader is Warned and myself, returned yesterday for a live show at the Bodies from the Library Conference 2019 at the British Library.
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#533: “Magicians have an advantage; they never have to reveal the trick” – An Interview with James Scott Byrnside
Back in December 2015 I read and reviewed Matt Ingwalson’s first two self-published Owl and Raccoon novellas and, impressed with their quality, undertook what has since become my Adventures in Self-Publishing in which I work through impossible crime fiction following a non-trad route to its audience.
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#450: The Criminous Alphabet – A is for…Anticlimax
Noah Stewart, one of the most knowledgable people currently blogging on the subject of GAD, once said that Romance and Detection are the two genres wherein the ending is never in doubt before you’ve even read the first page (I’m paraphrasing, of course — Noah would never put anything that pompously).
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#447: The Criminous Alphabet – A is for…Alibi [Part 2 of 2]
Last week I talked — at great length — about the alibi in crime and detective fiction as utilised by the criminal working alone. This week, I’ll hopefully find as much (or, depending on your feelings about last week’s post, maybe less) to say where more than one criminal is involved, and then if there’s time I’ll diverge into crimes where there is no alibi.
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#418: Spoiler Warning 7 – Fog of Doubt, a.k.a. London Particular (1952) by Christianna Brand
As discussed previously, we are here today to find out how good I am at spotting clues and things in the detective novel London Particular, a.k.a. Fog of Doubt (1952) by Christianna Brand. We’ll be doing this by examining my thoughts on a chapter-by-chapter basis and there will be spoilers. Do not read futher if you wish to remain unspoiled.
#386: Spoiler Warning – Coming in July: Fog of Doubt, a.k.a. London Particular (1952) by Christianna Brand
The Invisible Event 