The detective fiction genre is built around the essential structure of a crime, an investigation of that crime, and the revelation of the guilty party who committed the crime, and good heavens didn’t the Golden Age map out a lot of different ways to walk that path. And there are few people better placed to discuss this than President of the Detection Club and recent recipient of the CWA Diamond Dagger Martin Edwards, who celebrates three decades as a published author this year.
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That title is doing a lot of work, isn’t it? Fair warning: this goes on a bit.
At the online Bodies from the Library conference last weekend, I gave a talk inspired in part by E.M. Wrong’s introduction to the 1926 anthology Crime and Detection. And, in addition to coining the term “Wellington of detection” that inspired the thinking I laid out last weekend, there is plenty of material in that piece of prose to get the cogs turning.
Continue readingOn the back of the Reprint of the Year Award run by Kate at CrossExaminingCrime, I thought it might be interesting to see what those of us who submit titles for that undertaking would choose to bring back from the exile of being OOP.
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We’re all prone to speculate at times about how wonderful it would be to discover a previously-unpublished work by a beloved Golden Age author, and for today’s podcast episode Tony Medawar rejoins me to tempt you with two forthcoming collections of hard-to-find material from two of the genre’s titans — John Dickson Carr and Freeman Wills Crofts.
Continue readingYou thought this podcast was nerdy before? You ain’t seen nothin’ yet. Today we welcome the GADisphere’s own Scott K. Ratner, and things get taxonomical…
Continue readingThe time has come again for some nerdy Golden Age Detection podcasting, and James Scott Byrnside is here to oblige with a discussion about some of the tropes we know and love from GAD fiction
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The Invisible Event 