
#558: Spoiler Warning – Coming in October: Postern of Fate (1973) by Agatha Christie

With the most recent Spoiler Warning post now out in the wild — it’s on The Moving Toyshop (1946) by Edmund Crispin if you’re interested — it’s time to prepare for the next.
Continue reading
#557: The Gilded Man, a.k.a. Death and the Gilded Man (1942) by Carter Dickson






It had been my intention to review a book by a new-to-me author this week, but thankfully I was able to get to it a little ahead of time and watch disconsolately as, after a bright start, it fizzled out to nothing (man, some Silver Age stuff has a lot to answer for…). Instead, here’s another from John Dickson Carr’s era of tight, house-set puzzles which range from masterpieces (The Reader is Warned (1939), The Seat of the Scornful (1941)) to very good (The Crooked Hinge (1938), The Emperor’s Snuff-Box (1942)) to, er, Seeing is Believing (1941). And with The Gilded Man (1942) being somewhat overlooked, I wasn’t entirely sure what I was going to get…
Continue reading
#556: Little Fictions – Curiosities from Adey: ‘The 51st Sealed Room’, a.k.a. ‘The MWA Murder’ (1951) and ‘The Glass Bridge’ (1957) by Robert Arthur

Over the last couple of years, I’ve been slowly working my way through the Alfred Hitchcock and the Three Investigators series, the first tranche of which were written by Robert Arthur, Jr.
Continue reading
#555: Oh, What a Tangled Web We Weave in The Mystery of the Silver Spider (1967) by Robert Arthur

Thus far in my reading of the Alfred Hitchcock and the Three Investigators books, the clear pattern of The Odd-Numbered Ones Are the Good Ones has emerged…so how did this, the eighth title, fare?
Continue reading
#554: The Case of the Solid Key (1941) by Anthony Boucher






Several years ago, discovering that the impossible crime novel was a thing, I read Anthony Boucher’s Nine Times Nine (1940), originally published as by H.H. Holmes, and loved it. I then discovered TomCat’s list of favourite impossible crime novels and was intrigued by the fact that, eschewing the accepted classic that Nine Times Nine is, Boucher’s later, less discussed The Case of the Solid Key (1941) was included there instead (TC, it must be said, is something of an iconoclast…). More Boucher followed, some of it disappointing, and last year I finally ran to ground a copy of TCotSK in a secondhand bookshop in Philadelphia and — at long, long last — here we go.
Continue reading
#553: Little Fictions – Curiosities from Adey: ‘Murder Game’, a.k.a. ‘The Gemminy Crickets Case’ (1968) and ‘Upon Reflection’ (1977) by Christianna Brand

It’s undeniable that I have a slightly unusual relationship with some accepted classic GAD authors and do not necessarily always line up with the accepted wisdom where, say, Ngaio Marsh, Gladys Mitchell, Ellery Queen, and Dorothy L. Sayers are concerned.
Continue reading
#552: Spoiler Warning 11 – The Moving Toyshop (1946) by Edmund Crispin

We are here today to discuss The Moving Toyshop (1946) — Edmund Crispin’s third novel to feature his Oxford University don detective Gervase Fen — in full, spoiler-rich style…proceed no further if you wish read this book without knowing, y’know, everything that happens.
Continue reading
#551: The White Cockatoo (1934) by M.G. Eberhart






Sometimes quality and taste do not overlap. For instance, I have every reason to believe that The White Cockatoo (1934) by Mignon G. Eberhart is a very good book, but given that it veers far more heavily into the suspense/HIBK/EIRF schools of writing rather than anything qualifing as detection it’s not especially to my taste. It’s well- (if perhaps a little over-) written, has some good atmosphere, and introduces in the eponymous bird Pucci an unusual twist that enlivens the eventual resolution…but amidst all the mysterious happenings — sinister hotelier, sinister guests, sinister wind, sinister banging shutters, sinister everything — it’s just a bit too bland for my palate.
Continue reading
#550: Little Fictions – Curiosities from Adey: ‘The Phantom Killer’ (1946) and ‘The Impossible Crime’ (1946) by Nigel Morland, A Play-Along-at-Home Experiment
