#922: This Deadly Isle: A Golden Age Mystery Map (2022) by Martin Edwards [ill. Ryan Bosse]

After the very enjoyable work done by Herb Lester and Caroline Crampton in mapping the key locations of Agatha Christie’s English mysteries, it was surely only a matter of time before a similar project was attempted. And This Deadly Isle, which maps the locations of a raft of Golden Age mysteries across the country, is the delightful inevitable follow-up.

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#921: The Footprints on the Ceiling (1939) by Clayton Rawson

Footprints on the Ceiling

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This might be the longest-gestating punchline in blogging history, but it was also about time I returned to Clayton Rawson. Ever since the American Mystery Classics reissued Rawson’s debut novel Death from a Top Hat (1938), I’ve been waiting for them to release his second, The Footprints on the Ceiling (1939), so that I could finally experience it. And then I discovered a few months ago that I’d already bought Footprints as an ebook and it had been waiting, long-forgotten, on my e-reader of choice. And, as someone who feels Rawson’s best work might have been his short stories, I have to say that I very much enjoyed…most of this.

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#918: The Life of Crime (2022) by Martin Edwards

Life of Crime

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To me falls the honour of rounding off the blog tour for The Life of Crime (2022) by Martin Edwards, adding to the deserved praise it has already garnered elsewhere. This “personal journey through the genre’s past, with all the limitations and idiosyncrasies that implies” is a monumental achievement, encompassing the breadth and depth of a genre that is now a good couple of centuries old, and finding many nuggets to share about it along the way. And, since any study of a genre must inherently be about that genre to some extent, Edwards’ trump card here is to tell a story of crime writing that also sheds light on the need for such stories to exist in the first place.

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#915: The Two Tickets Puzzle, a.k.a. The Two Ticket Puzzle (1930) by J.J. Connington

Two Tickets CW

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I first encountered J.J. Connington’s two-book sleuth Superintendent Ross in his debut, The Eye in the Museum (1929), a novel I disliked so much I’ve banished from memory almost entirely.  It was to be hoped, then, that Ross’ valedictorian case The Two Tickets Puzzle (1930) would strike me more favourably — which, given the rate these Golden Age tyros produced mysteries (this is Connington’s ninth crime novel in just four years), didn’t seem too unlikely: quality is bound to vary wildly under intense output. And, sure enough, Ross’ final case is an improvement: clearer, better structured, and far more engaging.

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