And so for a look at what might have been.
Continue reading#936: Turn on the Heat (1940) by A.A. Fair

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Twenty-one years ago, Mrs. Amelia Lintig started divorce proceedings against her husband, naming the practice nurse at his surgery as co-respondent. Before the matter could be resolved in court, Dr. Lintig and his nurse and Mrs. Lintig all took a powder and left the sleepy township of Oakview behind them, apparently for good. And now, someone wants to hire the B.L. Cool Detective Agency to track down Mrs. Lintig for reasons of their own…a mission complicated by the discovery that quite a few people have been looking for Mrs. Lintig in recent months. And then some of those people start dying.
#935: Minor Felonies – Peak Peril (2022) by Sharna Jackson
“Oh my days,” whispered Norva, throwing her head back. “It’s not like we’re going to the moon, we’re going on the moors. Calm it down.”
Continue reading#934: “It was surprising what a change the last minute or two had wrought…” – The Great Portrait Mystery [ss] (1918) by R. Austin Freeman
The short story collection The Great Portrait Mystery (1918) occupies an odd position in the oeuvre of R. Austin Freeman. Five of the seven stories herein have almost nothing to do with each other — tonally, thematically, genre-wise — and the other two are inverted tales of detection featuring his famous medical jurist character Dr. John Evelyn Thorndyke. So were Freeman’s publishers simply fancying up some of his B-material by including a couple of Thorndyke tales to draw otherwise-uninterested readers to this collection? Let’s find out.
Continue reading#933: Dead Sure, a.k.a. Collar for the Killer, a.k.a. A Matter of Fact (1956) by Herbert Brean

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Herbert Brean is an author whose work is really rather difficult to pigeonhole, and this multi-titled obscurity — I’ll call it Dead Sure (1956), as per my Dell paperback edition — highlights why. From the gentle Americana puzzling of his debut Wilders Walk Away (1948), to the gloomy suspense of The Darker the Night (1949) and the intricate historical imbrications of his masterpiece Hardly a Man is Now Alive (1950), we find ourselves now in a sort of Woolrichian nightmare of an honest cop framing an innocent man and attempting to dig himself out before it’s too late…both legally and morally. And yet, even then, there’s more going on here.
#932: Minor Felonies – Big Game (2015) by Stuart Gibbs
Big Game (2015) by Stuart Gibbs represents a third visit to FunJungle, the gigantic Texan zoo owned by billionaire J.J. McCracken where 12 year-old Teddy Fitzroy lives with his primatologist mother and photographer father. And, as the title would suggest, it seems something beyond animal conservation is on someone’s mind.
Continue reading#931: Five to Try – Elementary, Season 2 (2013-14)
Five more recommended episodes of Elementary, the US TV update of Sherlock Holmes, this time from season 2.
Continue reading#930: Night at the Mocking Widow (1950) by Carter Dickson

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I love a good village poison pen mystery but, as I’ve said before, they’re difficult to write because both the village and the mystery must convince and compel. Night at the Mocking Widow (1950), the twentieth book written under John Dickson Carr’s Carter Dickson nom de plume to feature Churchillian sleuth Sir Henry ‘H.M.’ Merrivale, starts off seeming like a great example of both…but once we hit the halfway stage and the impossible appearance and vanishing of the sinister Widow presents itself, the life rather goes out of things. From that point on, it feels more like a writing exercise than a novel, and one that Carr is forcing himself to complete.
#929: Little Fictions – ‘A Matter of Scholarship’ (1955), ‘The Ultimate Clue’ (1960), and ‘The Anomaly of the Empty Man’ (1952) by Anthony Boucher
A slight cheat this week — the final two stories by Anthony Boucher from the collection Exeunt Murderers [ss] (1983), and then, so that we have three stories again this week, the Holmes pastiche ‘The Anomaly of the Empty Man’ (1952) as listed in Adey.
Continue reading#928: “Now we’re involved in it all over again…” – Heads You Lose (1941) by Christianna Brand
With the British library Crime Classics range apparently achieving the impossible by arranging for Green for Danger (1944) and Death of Jezebel (1948) by Christianna Brand to be reprinted, the time seemed ripe to take her second novel Heads You Lose (1941) out of the shelf space that it recently started occupying and see how it stacks up.
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