#523: Death in a Million Living Rooms, a.k.a. Die Laughing (1951) by Patricia McGerr

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Quite apart from having the best damn title ever, Death in a Million Living Rooms (1951) by Patricia McGerr employs one of my favourite conceits of classic-era detection: the Live On Air Murder. With The Dead Are Blind (1937) by Max Afford, Murder in the Melody (1940) by Norman Berrow, and And Be a Villain (1948) by Rex Stout giving us death on the radio, McGerr turns to the television studio to kill her poor victim live in front of the several million who tune in to Podge and Scottie’s weekly comedy show, with — as in Stout’s take — poison in the sponsor’s drink responsible.  That you know it’s coming makes it no less horrible, so whodunnit?

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#521: Spoiler Warning 10 – Tantei Gakuen Q/Detective School Q: ‘The Kamikakushi Village Murder Case’ (2003)

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Apologies, we’re a bit late — there were some hold-ups on my end of things — but here at last are the thoughts of the blogosphere’s resident impossible crime expert TomCat and myself on ‘The Kamikakushi Village Murder Case’, part of the Tantei Gakuen Q (Detective Academy Q) anime based on the manga of the same name.

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#520: Seeing is Believing, a.k.a. Cross of Murder (1941) by Carter Dickson

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Socialising is difficult, isn’t it? One minute you’re making polite dinner party conversation about jobs with someone you’ve only just met, the next a hypnotist performs a few mesmeric passes and goads a wife into stabbing her husband with a knife everyone knows is fake but which — awks — actually turns out to be real and, oh my god, she’s killed him.  We’ve all been there, and we all know how tricky it can be to factor this sort of thing into one’s TripAdvisor rating.  An unexpected, impossible murder can dampen the mood somewhat — especially when so many people seem to be operating at cross-purposes — but remember you did say the canapés were lovely…

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#517: Murder in the Family, a.k.a. The Murder in Gay Ladies (1936) by James Ronald

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I’m nowhere near Puzzle Doctor/Brian Flynn levels of adoration yet, but there’s a good chance James Ronald could turn out to be one of my very favourite unheralded authors.  Sure, he wrote in quite a range of genres — from ‘a family’s struggles in an unfamiliar environment’ to incident-packed impossible crime novels and, presumably, just about anything in between — and the frank unavailability of so many of his books is going to make tracking him down long and, given the spread of genres, at times possibly unrewarding work, but when he’s good, boy is he good.  As in the case of the Osborne Family Murder — with ‘family’ being very much the key word here.

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